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The Hidden Meaning Behind These 10 Classic Fantasy Films

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Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.

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Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.

Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

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1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.

So, how does The Neverending Story relate to these concepts? Let’s explore…

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In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.

We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

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2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.

For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

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3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and dischord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.

Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharoah as son of Ra.

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4. Labyrinth

Jim Henson and George Lucas’ Labyrinth hearkens back to the labyrinth of classical mythology, as well as relating to the perennial journey of the hero on his quest to the underworld. One can see how the transference of the earthen labyrinth and abyss-like waterways can be read as an allegory of the unconscious mind, the underworld of Hades and death, as well as being associated with the worlds in which we enter in our dream state. This astral realm, intimately connected to the realm of the subconscious, is the wellspring from which the archetypes of experience spring, corresponding to the archetypal forms in the outer world of phenomenal experience, as we will see below.

evolvegif-jensodiniUpon entering the labyrinth, Sarah learns quickly that things are not as they appear fairies bite, not bless. Doors are not where they appear and missing where they should be. In the medieval world, labyrinths were a symbol of making our way though this wayward world to heaven. In Jung, the Labyrinth is also an image of the individual’s unconscious psyche. We will see Sarah fall several times in the film, deeper and deeper into the labyrinth. In “The Process of Individuation” by M.L. von Franz in Carl Jung’s Man and His Symbols, the author explains of the meaning of the labyrinth as subconscious:

“The maze of strange passages, chambers, and unlocked exits in the cellar recalls the old Egyptian representation of the underworld, which is a well-known symbol of the unconscious with its abilities. It also shows how one is ‘open’ to other influences in one’s unconscious shadow side and how uncanny and alien elements can break in.” (pg. 176)

5. The Last Unicorn

Last_unicornThe film, is based on a book of the same name by Peter S. Beagle, and was produced by Rankin Bass in 1982. The film follows the story of a unicorn who goes on a quest to find out what happened to the others of her kind, after she learns that she is the last of her species. She is guided by a butterfly, who tells her that a demonic creature named the Red Bull herded the remaining unicorns to the edge of Earth.

Following a more fantastical and whimsical storyline, it seems the film/book may have found its roots from a series of tapestries entitled The Hunt of the Unicorn which date back to 1495 – 1505. The tapestry is the allegorical representation of the Passion of the Christ, where the unicorn (aka: the Christ) is hunted, captured, and killed, only to be resurrected and revered.

The unicorn of the film goes through the similar stages, as in the beginning she finds herself hunted/captured when a witch named Mommy Fortuna, finds her and puts her on display in her Midnight Carnival. She eventually escapes with the help of a wizard named Schmendrick, and the two become traveling companions as she continues her journey to find the Red Bull. Eventually they find him, and he presents himself as a fire elemental – an interesting nod to the notion of the devil being the opponent of the pure of heart (the Christ). When they encounter the Red Bull, Schmendrick does a magic trick on the unicorn to protect her from harm, and he transforms her into a human, mortal being, named Almathea, thus experiencing her immortal death. As the story continues to unfold – Almathea begins to forget her immortal nature as the unicorn, and she finds herself eventually falling in love with a prince named Lír.

Struggling to remember her true identity, and reason for embarking on the journey in the first place…she contemplates abandoning her quest completely for the sake of love. However, Lír dissuades her and as the story climaxes – the Red Bull finds her again, kills Lír, and Schmendrick transforms Amalthea back into the unicorn, the resurrection, which allows her to kill the bull, set the other unicorns free, and magically revive Lír.

The movie ends as the unicorn departs back to the forest, and says goodbye to her love. Both now mortal and alone, the love they will carry is what renders both immortal in the spiritual sense – and is the way they are able to revere one another through all eternity, through the sacred heart.

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6. Raiders of the Lost Ark:

Raiders begins with an image of the mountain/high place, which is prominent in Spielberg films, particularly Close Encounters of the Third Kind. There, “Devil’s Tower” in Wyoming becomes the meeting point of the aliens/gods and mankind. Biblically, the Law and prophets frequently mention the “high places” where the pagans and Israelites would offer sacrifices to the “gods.” This trend is consistent in many alien motifs, where aliens are essentially interchangeable with traditional religious conceptions of the “gods.” Spielberg especially has utilized this idea, as well as Lucas. Indeed, Mt. Sinai itself is the meeting place of man and the God of the Bible, which will be of particular relevance for Raiders.

In the iconic Map Room scene, Indy discovers the location of the Ark of the Covenant. The Staff of Ra lights up the entire chamber, wherein there is a replica of the ancient city itself. Anubis figures prominently on the wall and in Egyptology is associated with embalming and the realm of the dead, and thus corresponds to Cerberus. He is also associated with Sirius, the “Dog Star,” as the gatekeeper for Osiris (Osiris is the god of the dead). In a famous Socratic dialogue, Plato has Socrates say both “by the dog of Egypt” and “by the dog, the god of the Egyptians” (Gorgias, 482b). Thus Ra Sun/Atum light all have a crucial significance here, as Indy receives light by which he is led from superstition, through the use of reason, to divine truth in the one true God. Earlier we had seen the golden skull sun imagery in South America, and in the Map Room Indy becomes enveloped in light. The entire scene mimics a Masonic ceremony wherein the initiate seeks “light.” Indy, like Moses, has now known the “mysteries of Egypt.” (see Acts 7:22).

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7. The Wizard of Oz

A thread common to many esoteric analyses of film is the notion that the occult symbols seem to find their roots in Freemasonry/Theosophy. The same goes for The Wizard of Oz, as the author of the childhood classic, L. Frank Baum, was a noted member of the Theosophical society. The story follows Dorothy, a normal farm-girl from Kansas, who gets swept away by a tornado and brought to the mythical/mysterious land of Oz. She travels the Yellow Brick Road with her dog/spirit familiar Toto (an apparent nod to The Fool card of the Major Arcana), to find her way to the wonderful wizard of Oz, who is somewhere over the rainbow in the Emerald City, all of which can be viewed as an allegorical representation of the soul’s path to illumination.

The Yellow Brick Road, on the other hand, can be viewed as the concept of “The Golden Path” as discussed in Buddhist teaching (a key component in Theosophy), but it is also interesting to note that the color yellow is representative of the solar plexus, the emotional center where the heart and head meet (ego). The path of the Yellow Brick Road is shaped as an outwardly expanding spiral, and it is believed that the spiral represents the evolving self, where the soul ascends from matter into the spirit world. As Dorothy makes her way down the road she wears a pair of ruby slippers, which is an interesting color choice given that red is also representative of the chakra color which corresponds to the energy of our connection with the Earth, carrying the promise of survival. The companions she meets along the way – The Scarecrow, The Cowardly Lion, and the Tin Man – all appear to be fragmented aspects of her psyche. The Scarecrow believes he is without a brain, the Tin Man believes he is without a heart, and the Cowardly Lion believes he is without courage. The three components these friends seem to lack are three of the qualities an initiate to the great mysteries must possess in order ascend to the next level of understanding. The companions believe that if they brave the path together, the Wizard they are destined to meet will give them what they are searching for.

Amidst twists and turns, good witches and bad witches, munchkins and flying monkeys galore, they reach their destination, the Emerald City. Green here is an intentional color choice, as the Emerald City is representative of the heart chakra, which carries the power of love and the transformation of ego. As Dorothy followed her ego (the Yellow Brick Road), was guided by the desires of her base chakra (the ruby slippers), she reached her heart (The Emerald City) to find that the power of transformation was within her (and her friends) all along. The wizard was no wizard at all, beyond the smoke and mirrors – he was no different than they, and the great illumination came from the knowledge of the power of the true self and the heart, gnosis.

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8. Gremlins

This 1984 classic comedy/horror film tells the story of a Christmas present gone awry. The word Gremlin itself is defined as an “imaginary mischievous sprite regarded as responsible for an unexplained problem or fault, especially a mechanical or electronic one.”

The story begins as Randall Peltzer, a failed inventor, stumbles upon a store in Chinatown during his search for the perfect Christmas present for his son, Peter. A strange sound catches his attention, and inside of a cage he finds a creature called a Mogwai (Cantonese for monster). He asks the owner of the store if he can purchase the Mogwai, but is denied because of the great responsibility that comes with owning one of these creatures as a pet. You’re not allowed to expose it to bright light (the light could kill it), you can’t feed it after midnight, and you mustn’t expose it to water because it may then multiply. Although the owner denies Randall the ability to purchase the Mogwai, the owner’s grandson runs out and allows Randall to purchase it, claiming his family needs the money.
Throughout the beginning of the movie we are continuously shown the failed inventions that Randall painstakingly creates with his own hands. Despite his best efforts, nothing works as it should. This clues us in to a potential backstory, alluding to the “gremlins” of his own creation (the mechanical and electronic problems of his inventions), as well as the fact that it is Christmastime, the ultimate consumer holiday. Ironically, the gift Randall purchases is yet another gremlin of his own creation, something he put care and effort into, yet is beyond his control.
When Randall gifts Peter the Mogwai, he affectionately calls it Gizmo (perhaps another nod to the consumer backstory). Chaos ensues after a glass of water accidentally falls on Gizmo, causing him to multiply – giving birth to 5 new Mogwais. While Gizmo is cute/cuddly/benevolent in nature, this new batch is the complete antithesis – they torment Gizmo and are completely malevolent. Their maliciousness worsens when they are accidentally fed after midnight, thereby transforming into “gremlins” (problems). They wreak havoc on the town, causing death, disaster, and destruction – perhaps serving as a warning of the dangers of mass consumerism, or of not following instructions.

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9. Pinocchio

Pinocchio was originally written by Carlo Lorenzini (known by his pen name, Carlo Collodi) between 1881 and 1883 in Italy. An active Freemason, Lorenzini encoded metaphysical and esoteric concepts in the story of the wooden marionette who turns into a real boy.

The Disney film took artistic and creative license by adapting the original story to something more suitable to their tastes, however the fundamental elements and moral still remain. We find the movie beginning with Geppetto, a lonely woodcarver that desperately wishes for a son of his own. His house is filled with clocks, an homage to the illusion of time which has not served him well. To satiate his loneliness, he turns a piece of wood into a marionette with human-like features, and although the marionette brings him joy, he wishes in his heart of hearts that his creation could transform into a real child.

The irony of being the creator as the artist, unable to create his masterpiece (a son), has Gepetto wishing upon a star to turn Pinocchio into a “real boy,” or esoterically speaking, the illuminated man.

The “Blue Fairy” descends to earth and gives Pinocchio the gift of life and free will – but he is not exactly a “real boy.” His task is to prove himself to be brave, truthful, and unselfish – a similar theme to The Wizard of Oz’s notion of gnosis (self-knowledge) through courage, heart, self-reliance, and will.

Masonic teaching presents the process of illumination as the alchemical ideal of turning base metal into gold, or rough stone into smooth stone. In this case,  it is Pinocchio who is being transformed as he begins his initiation into higher consciousness (illumination) as the rough piece of wood, needing to experience the way of the world before becoming a real boy. He finds himself presented with a series of temptations of Earthly pleasures (money, fortune, fame), but with Jiminy Cricket acting as his conscience, he is guided to eventually find the right path, but only through experience, and experience alone.

The story finds Pinocchio being lured to “Pleasure Island,” a place where children eat, drink, smoke, fight, and destroy at will – where school and law no longer exist, in a seeming antithetical nod to the essential Masonic text, Albert Pike’s “Morals and Dogma.” In this part of the story Pinocchio turns into a donkey, which in esoteric terms is the personification of the stubborn animal locked in the material world, ignoring his true spiritual nature.

Eventually the climax occurs when Pinocchio realizes the error of his ways and returns home to reunite with Gepetto – but the house is empty, and Gepetto has been swallowed by a giant whale. This is, of course, a metaphorical nod to the story of Jonah and the Whale, which has its own occult significance. Manly P. Hall explains:

“When used as a symbol of evil, the fish represented the earth (man’s lower nature) and the tomb (the sepulcher of the Mysteries). Thus was Jonah three days in the belly of the ‘great fish,’ as Christ was three days in the tomb. Several early church fathers believed that the ‘whale’ which swallowed Jonah was the symbol of God the Father, who, when the hapless prophet was thrown overboard, accepted Jonah into His own nature until a place of safety was reached. The story of Jonah is really a legend of initiation into the Mysteries, and the ‘great fish’ represents the darkness of ignorance which engulfs man when he is thrown over the side of the ship (is born) into the sea (life).”

Pinocchio sacrifices himself by jumping into the belly of the beast (the whale), where he saves Gepetto, and emerges into the light. Thus proving his spiritual worth through the initiation phases of trial and error, forgoing temptation and sacrificing for love.

In the end, the Blue Fairy allows Gepetto’s wish to come true, as Pinocchio is granted the ability to become a real boy, and Jiminy Cricket receives a solid gold badge, a seeming indication that his role as Pinocchio’s conscience allowed his base consciousness to alchemically transform into gold (illumination).

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10. Dune

Herbert’s novel, adapted into a film by David Lynch, is a fantastical blend of Islamic mysticism and imagery that immediately brings to mind ancient Afghani Sufism. The the opium trade has long been a center of global chess moves, particularly with the British Empire’s control and use of opium and its Great Game espionage maneuvers with Russia. Herbert is clearly aware of this global alignment and includes these very human drives in his futuristic, anti-imperial novel. The novel immediately made me think of Gould and Fitzgerald’s famous Invisible History, which details the importance of Afghanistan in Middle Eastern power moves, not just due to its centrality for the drug trade, but also due to its crucial “mystical” significance.

The narrative’s focus on ecology is also a rebuke to modern scientism which presumptuously enacts the rape of nature and mankind with no concern for an ecosystem that is part of a natural process. All natural hierarchies are restored by Paul Muad’dib and only under this hieratic order is true freedom restored. Paul and the “free-men” represent the masculine order placed back in power under which health and a blossomed, terraformed Dune emerge from a wasteland. This is also why Paul undergoes the Shai-Hulud (Old Father Eternity) worm bile ritual, wherein he experiences a crossing of the abyss to enter that place where the Bene Gesserit Sisterhood “cannot go.” When Muad’dib returns from this death/resurrection ritual, he is apotheosized to bring and end to the rule of the female power and the unrighteous. It is also worth noting that the imperial power sees mankind as a “disease” that must be eradicated through population control. The Sisterhood evidences this, too, with their attempt to engineer the kwisatz haderach. The Harkonnen follow suit with young boy sex slaves, as well as the imperial power brainwashing noble house servants and assassins for programmed missions. Here Herbert hints at programs like MKULTRA and human trafficking that are very real evils in modernity, though they are given little mainstream press attention.

As we explore the esoteric meaning of the subliminal messages encoded within these classics, although seemingly stranger than fiction, the spiritual morals of each seem to carry the same ethos – know yourself, and you will know the world, know the world, and there you will find enlightenment. The art of film is a medium that can convey complex ideas on a deeper level that we are unaware of, yet it also brands fond memories into our hearts. It is only until we analyze these films that we find the exact reason for why they tug on our heart strings in the first place.

Special thanks to Jay Dyer of Jay’s Analysis for collaborating with us!

Free David Wilcock Screening: Disclosure & The Fall of the Cabal

We interviewed David about what is happening within the cabal and disclosure. He shared some incredible insight that is insanely relevant to today.

So far, the response to this interview has been off the charts as people are calling it the most concise update of what's happening in our world today.

Watch the interview here.
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Federal Court Rules In Favour of Big Pharma & Determines That CBD Has No Medicinal Value

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In Brief

  • The Facts:

    Despite a tremendous amount of research proving that CBD has medicinal value, the DEA still insists it is categorized as a Schedule 1 Substance in the Controlled Substances Act. The Supreme court recently decided that it has no medicinal value.

  • Reflect On:

    Many have absolutely sworn by CBD for assisting with issues of chronic pain and for stopping seizures, when other illicit drugs such as cocaine and meth are in a less harmful category, it would seem that there are some other interests at hand here.

Last week the hemp industry in the United States faced a roadblock after the federal U.S. 9th Circuit Court of Appeals upheld a decision by the Drug Enforcement Agency (DEA) to list cannabidiol or CBD as a Schedule 1 controlled substance under the Controlled Substances Act. It’s worth pointing out that CBD has no psychoactive effects and is not the same as THC, the active ingredient that gets you high when smoking marijuana. The definition of a Schedule 1 controlled substance is as follows,

Schedule 1 (I) drugs, substances, or chemicals are defined by the federal government as drugs with no currently accepted medical use and a high potential for abuse. Schedule 1 (I) drugs are the most dangerous drugs of all the drug schedules with potentially severe psychological or physical dependence.

Let that sink in for a moment. Keep in mind that methamphetamine aka crystal meth, cocaine, fentanyl, and oxycodone all fall under the Schedule 2 category in the Controlled Substances Act. I don’t know about you, but to me, something feels off about this.

Back in 2016, the hemp industry brought a lawsuit against the government when the DEA issued a “clarifying rule” that claimed CBD was in fact, an illicit drug, simply because it was a byproduct of cannabis flowers. A report released by the Denver Post explained,

Represented by Denver-based cannabis law firm Hoban Law Group, the Hemp Industries Association and other hemp businesses challenged the DEA’s rule and alleged the agency overstepped its bounds by essentially scheduling substances — notably cannabinoids — that were not classified as illicit in the Controlled Substances Act. Additionally, they argued, the hemp-derived extracts rich in CBD, or cannabinol, are protected under state laws and Farm Bill provisions.

The rule could be misinterpreted by other federal and local agencies, leading to unlawful product seizures and chill a booming multibillion-dollar hemp products industry, Hoban attorneys had said.

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The DEA responded by claiming that they had simply provided clarification to the existing law, and stated that their decision, “makes no substantive change to the government’s control of any substance.”

Again, the DEA is failing to acknowledge the major difference between industrial hemp, which by the way, provided the paper for the original declaration of independence to be written on, and it contains virtually no psychoactive properties. THC, on the other hand, does produce strong psychoactive effects, so the DEA maintains their stance by saying that because CBD comes from the flowering parts of the cannabis plant and cannabinoids “are found in the parts of the cannabis plant that fall within the … definition of marijuana, such as the flowering tops, resin, and leaves.”

The 9th Circuit Court of Appeals agreed to the DEA’s decision to clarify that CBD is therefor a “marijuana extract.” Thankfully, producers of CBD vowed to appeal the decision.

We will be appealing, and we will be funding that appeal,” said Michael Brubeck, CEO of Centuria Natural Foods and a plaintiff in the case. Centuria was joined in its challenge by the Hemp Industries Association.

During the decision-making process, the panel consisting of three judges said the plaintiffs had failed to comment during the DEA’s rulemaking process, which is what inevitably nullified the majority of their challenge to the upstanding classification.

Attorney Bob Hoban, in a statement on Wednesday, said his clients are weighing whether to request a rehearing due to concerns about the safety and security of those who make and sell hemp extracts, including CBD.

“Though we appreciate the court’s finding in favor of the legitimacy of the Farm Bill’s hemp amendment, we are still disappointed with the court’s findings that the final rule does not interfere with lawful, hemp-related business activities, as even 29 members of Congress confirmed in their Amicus Brief to the Court,” Hoban wrote. “Given the pervasive confusion and irreconcilable conflicts of the law that have led to product seizures, arrests and criminal charges against those involved in the lawful hemp industry, the petitioners believe that the final rule must be invalidated, absent the court clarifying and further resolving these conflicts and their severe consequences.”

CBD Does Have Medicinal Value

The reason this is so frustrating is that CBD certainly does have medicinal value and has been a godsend for millions of people who suffer from chronic pain. In fact, an advisory committee for the Food and Drug Administration (FDA) recently approved pharmaceutical grade cannabidiol (CBD) medicine as a treatment method for severe epilepsy. How can a Schedule 1 Substance, which is supposed to have no medicinal value, be FDA approved, as a treatment?

People with cancer have also utilized cannabis, as multiple studies in the lab showed it completely destroys cancer cells.

Thankfully, the truth continues to come out and before long CBD, and hopefully, cannabis altogether will be completely removed from the Schedule 1 Controlled substances act. How could something be fully legal for recreational use in some states, and soon will be all of Canada, yet regarded as such a “bad drug” in most of the United States? C’mon America, get with the times! Legalize.

Please check out these related CE Articles For More Information

https://www.collective-evolution.com/2016/08/17/what-cannabis-does-to-your-mind-body-depending-on-how-you-ingest-it/

Free David Wilcock Screening: Disclosure & The Fall of the Cabal

We interviewed David about what is happening within the cabal and disclosure. He shared some incredible insight that is insanely relevant to today.

So far, the response to this interview has been off the charts as people are calling it the most concise update of what's happening in our world today.

Watch the interview here.
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Robotic Dove-Shaped Drones Are Now Spying On People From Above

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In Brief

  • The Facts:

    30 military and government agencies have deployed the birdlike drones and related devices in at least five provinces in China recent years. They are in operation and are spying on people from above. There are also plans to weaponize them.

  • Reflect On:

    Reflect on the mass-surveillance state. Why do we have no privacy? Is it really for "national security" reasons? Or are there other motives here? What's really going on with the need for FULL control?

Fascism has been approaching the developed world for a long time. It comes in the form of governments that can read every single email, GPS you at any time, track your every move, every step, know your internet habits better then you do. If they decide, they can put a bunch of information together and use it against you, especially if you become “an enemy of the state,” one who threatens the interests of the global elite.

This is what it’s like to live in North America, and more people became aware of it with the Edward Snowden leaks. There were many who blew the whistle before him as well, some who did not live long after the fact.

What is happening here is extremely wrong. National security measures continue to heighten as a direct result of ‘terrorism’ in many forms, from attacks and bombings to mass shootings. All of these continue to increase like never before, especially in the United States. When it comes to terrorism in general, events like 9/11 have served as a mass wake up call for the citizenry, making them aware of ‘false flag’ terrorism, where a group of powerful people orchestrate an event for their ulterior motives and blame it on another.

Wake-Up Call

This is exactly what many people believe is happening with these events, including school shootings, that there is some form of mind-control going on here, an effort to make these type of events more common to justify heightening up national security measures, like global surveillance, for example. Many politicians, academicians, researchers, whistleblowers, and high ranking military personnel have been raising awareness about this for years, and we also have hard evidence in so many different forms, with so many different examples.

The last one I wrote about was with regards to fake intelligence, as well as plagiarized quotations that were found in an official intelligence report pertaining to Iraq’s WMDs presented to the UN Security Council by Secretary of State Colin Powell, on February 5th, 2003. You can read more about that here. Mark Twain summed up how this works quite nicely (source):

“The statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception.”

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Our world might not actually be as bad as how it’s constantly being presented to us. Most people are good, and the majority of people, in America at least, have opposed the action of their government for years when it comes to global conflict. False flag terrorism, deception, and the creation of events to heighten the national security state is nothing new.

Dove-Shaped Drones Over China

Some of the latest news when it comes to surveillance is coming out of China, where robotic dove-shaped drones are spying on people from above. As the South China Morning Post reports,

The idea might seem far fetched, but robotic birds are very much a reality, and China has been using them to surveil people across the country.

Sources told the South China Morning Post that more than 30 military and government agencies have deployed the birdlike drones and related devices in at least five provinces in recent years.

One part of the country that has seen the new technology used extensively is the Xinjiang Uygur autonomous region in China’s far west. The vast area, which borders Mongolia, Russia, Kazakhstan, Kyrgyzstan, Tajikistan, Afghanistan, Pakistan and India, is home to a large Muslim population and has long been viewed by Beijing as a hotbed for separatism. As a result, the region and its people have been subjected to heavy surveillance from the central government.

The new “spy birds” programme, code-named “Dove”, is being led by Song Bifeng, a professor at Northwestern Polytechnical University in Xian, capital of northwestern China’s Shaanxi province.

Each robotic bird has a GPS system, a high-definition camera and a flight control system linked with satellites which allow for its remote control. They are also equipped with an electric motor to power its flight. “Once equipped with weapons, unmanned small combat vessels can attack the enemy in large numbers, similar to drones,” Li Jie, a Chinese naval expert.

That doesn’t sound too good.

The True Goal Of Surveillance

So, if it’s not for national security purposes, and it’s not to protect us from danger, what is mass surveillance all about? For the answer to this question, I turn your attention to William Binney, a former high ranking intelligence official with the National Security Agency (NSA). He is one of the highest placed intelligence officials to ever blow the whistle on insider NSA ‘knowing.’ He made headlines when he resigned in 2001 after 9/11, having worked more than thirty years for the agency. He was a leading code-breaker against the Soviet Union during the Cold war and was repulsed by the United States massive surveillance programs. He claims the ultimate goal of the NSA is “total population control.” You can access that interview and read more about it here.

While on the topic of China, it’s also important to read this from an article by The Intercept:

Google bosses were scrambling to contain leaks and internal anger Wednesday after the company’s confidential plan to launch a censored version of its search engine in China was revealed by The Intercept.

Just a few hundred of Google’s massive 88,000-strong workforce had been briefed on the project prior to the revelations, which triggered a wave of disquiet that spread through the internet giant’s offices across the world.

Company managers responded by swiftly trying to shut down employees’ access to any documents that contained information about the China censorship project, according to Google insiders who witnessed the backlash.

“Everyone’s access to documents got turned off, and is being turned on [on a] document-by-document basis,” said one source. “There’s been total radio silence from leadership, which is making a lot of people upset and scared. … Our internal meme site and Google Plus are full of talk, and people are a.n.g.r.y.”

Awakening In Progress

The good news is that more and more people across the globe are starting to wake up to all of the misinformation being spread on a daily basis, and that includes the agenda of those behind it. Even a decade ago, the mass populace was not as aware that all is not as it seems. As a result of this recent mass awakening, our perception, our thoughts, and our collective consciousness are beginning to shift. We no longer see the world the way it has been presented to us, and we are starting to realize that simply waking up to all of the propaganda that surrounds us is creating big problems for the global elite. The very first step to changing a problem is to first recognize that problem, and we are still in that process.

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These ‘End-Of-Life Doulas’ Are Guiding People Peacefully To Their Death

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In Brief

  • The Facts:

    We all die. Mainstream medicine doesn't offer much in the way of end-of-life care. Death Doulas help family and friends with what they can do to help their loved ones come to terms with their impending death and how to handle it themselves.

  • Reflect On:

    We live in a culture where more often than not simply talking about death is taboo. Death Doulas can help remove these barriers and open up lines of communication with the dying and their families so they can pass on with much less fear and pain.

When we typically hear the term doula, we either think ‘what the heck is that?’, or we may already know that a doula is a trained professional who assists in a more natural process of childbirth, usually in the home.

So essentially, a ‘death doula’ is virtually the opposite: someone who assists a person who has a terminal illness, as well as helping that person’s friends, family members and even animals come to terms with the fast approaching morality that we will all face one day.

In the world of mainstream medicine, doctors themselves don’t offer much to people who are on their deathbed, especially on an emotional level. Family members and friends are often left in the dark as to how they are supposed to cope with the knowledge that their loved one will pass. They are rarely given methods through which they can talk candidly about their loved one’s inevitable death, and therefore this topic is often not discussed, which can make it much more difficult to process for the person who is dying and for everyone who is close to them.

Thanadoula

An end-of-life doula is sometimes referred to as a thanadoula from the greek thana meaning death and doula meaning servant. Generally speaking, it is said that the role of the death doula is to walk alongside the dying person and their family. This encompasses a very wide range of services that include: providing spiritual, psychological and social support, assisting with the creation of positive and empowering end-of-life plans, ideas to optimize physical comfort, and educating families on the new and progressive options for home wakes and natural burials. Often, these doulas go above and beyond expectations as they bring light to a phase of life that can be very dark for many.

What Does A Death Doula Actually Do?

A great definition is given on DoulaGivers.com,

Legacy: We are all born and we all die; it’s what we do in the middle that creates our legacy. What we leave behind is far more than simply wealth and possessions. We can share our story or give wisdom, advice, love, and support even after we have passed. And in doing so, give the future a glimpse of your essence – who you were, how you saw the world, and what gave your life. Death Doulas can help patients with the powerful, uplifting process of developing a legacy plan.

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Presence: The last phase of our life can stir fear and anxiety as we each face our end-of-life. This is simply because we have not walked this path before. Having someone present with the experience and training in such a time can bring a sense of comfort and familiarity to the otherwise unfamiliar. Death Doulas provide holistic support as they accompany individuals and their families before, during, and after death.

Dignity: Everyone wants to have a positive passing where they maintain dignity and honor as they exit life. We all have our own values, traditions, and belief systems that will influence our vision and expectation of what that would look like. Creating an environment that represents that vision is important. This along with developing a legacy and presence work, is what an End-of-Life Doula brings to you and your family.

Here’s An Example

In a story from GlobalNews Canada, Michael Crane explains his experience upon meeting death doula Barb Philips. After asking her what she did for a living, he said, “I was very intrigued and very interested when she started talking about being a death coach and actually walking alongside the family who is experiencing a death or a pending loss.”

A few months later, he was feeling overwhelmed about his mother’s impending death and decided to reach out to Philips for assistance. “I’ll never forget the first discussion with her. I basically was crying the entire time,” he said. “It was the first time I had talked about my mother’s death with someone outside our family in that level of depth and detail.”

Philips helped the family engage in a more candid conversation about death that Crane believes would not otherwise have happened. She talked to his mother openly about exactly what was happening and how she was feeling, mentally, physically and spiritually. After his mother passed away, the doula helped the family to plan the funeral and fulfill all of their mother’s wishes.

Do We Live In A Death-Denying Culture?

Philips believes that, for the most part, talking about dying and to people who are dying about their experience is still taboo. Because of this, families are often left in a state of shock and haven’t allowed themselves the time or space to properly grieve.

“People’s grief is more engaged at the very beginning,” she said of her practice. “It’s seen as something viable and valuable rather than trying to shut it off.”

Make Way For The Emergence Of Death Doulas

The understanding and need for this type of end of life care is growing at a rapid rate. Many people feel called to enter into a role like this after feeling like they weren’t given the tools they needed to properly lay their loved one to rest. Others had the experience of a death doula and saw just how beneficial this practice is.

With a growing number of elderly and ill people, this knowledge is starting to proliferate at a very important time. With many certifications becoming available, it is now easier to train and gain the tools that are necessary for this type of care.

Death is simply a part of life, and the more we begin to understand and ultimately embrace this process, the easier it becomes for everyone involved. How lovely that this practice is gaining such popularity; it just goes to show how much things are really changing in comparison to the old and often outdated practices of mainstream medicine. Hallelujah!

Much Love

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