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The Hidden Meaning Behind These 10 Classic Fantasy Films

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Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.

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Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.

Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

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1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.

So, how does The Neverending Story relate to these concepts? Let’s explore…

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In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.

We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

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2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.

For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

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3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and dischord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.

Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharoah as son of Ra.

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4. Labyrinth

Jim Henson and George Lucas’ Labyrinth hearkens back to the labyrinth of classical mythology, as well as relating to the perennial journey of the hero on his quest to the underworld. One can see how the transference of the earthen labyrinth and abyss-like waterways can be read as an allegory of the unconscious mind, the underworld of Hades and death, as well as being associated with the worlds in which we enter in our dream state. This astral realm, intimately connected to the realm of the subconscious, is the wellspring from which the archetypes of experience spring, corresponding to the archetypal forms in the outer world of phenomenal experience, as we will see below.

evolvegif-jensodiniUpon entering the labyrinth, Sarah learns quickly that things are not as they appear fairies bite, not bless. Doors are not where they appear and missing where they should be. In the medieval world, labyrinths were a symbol of making our way though this wayward world to heaven. In Jung, the Labyrinth is also an image of the individual’s unconscious psyche. We will see Sarah fall several times in the film, deeper and deeper into the labyrinth. In “The Process of Individuation” by M.L. von Franz in Carl Jung’s Man and His Symbols, the author explains of the meaning of the labyrinth as subconscious:

“The maze of strange passages, chambers, and unlocked exits in the cellar recalls the old Egyptian representation of the underworld, which is a well-known symbol of the unconscious with its abilities. It also shows how one is ‘open’ to other influences in one’s unconscious shadow side and how uncanny and alien elements can break in.” (pg. 176)

5. The Last Unicorn

Last_unicornThe film, is based on a book of the same name by Peter S. Beagle, and was produced by Rankin Bass in 1982. The film follows the story of a unicorn who goes on a quest to find out what happened to the others of her kind, after she learns that she is the last of her species. She is guided by a butterfly, who tells her that a demonic creature named the Red Bull herded the remaining unicorns to the edge of Earth.

Following a more fantastical and whimsical storyline, it seems the film/book may have found its roots from a series of tapestries entitled The Hunt of the Unicorn which date back to 1495 – 1505. The tapestry is the allegorical representation of the Passion of the Christ, where the unicorn (aka: the Christ) is hunted, captured, and killed, only to be resurrected and revered.

The unicorn of the film goes through the similar stages, as in the beginning she finds herself hunted/captured when a witch named Mommy Fortuna, finds her and puts her on display in her Midnight Carnival. She eventually escapes with the help of a wizard named Schmendrick, and the two become traveling companions as she continues her journey to find the Red Bull. Eventually they find him, and he presents himself as a fire elemental – an interesting nod to the notion of the devil being the opponent of the pure of heart (the Christ). When they encounter the Red Bull, Schmendrick does a magic trick on the unicorn to protect her from harm, and he transforms her into a human, mortal being, named Almathea, thus experiencing her immortal death. As the story continues to unfold – Almathea begins to forget her immortal nature as the unicorn, and she finds herself eventually falling in love with a prince named Lír.

Struggling to remember her true identity, and reason for embarking on the journey in the first place…she contemplates abandoning her quest completely for the sake of love. However, Lír dissuades her and as the story climaxes – the Red Bull finds her again, kills Lír, and Schmendrick transforms Amalthea back into the unicorn, the resurrection, which allows her to kill the bull, set the other unicorns free, and magically revive Lír.

The movie ends as the unicorn departs back to the forest, and says goodbye to her love. Both now mortal and alone, the love they will carry is what renders both immortal in the spiritual sense – and is the way they are able to revere one another through all eternity, through the sacred heart.

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6. Raiders of the Lost Ark:

Raiders begins with an image of the mountain/high place, which is prominent in Spielberg films, particularly Close Encounters of the Third Kind. There, “Devil’s Tower” in Wyoming becomes the meeting point of the aliens/gods and mankind. Biblically, the Law and prophets frequently mention the “high places” where the pagans and Israelites would offer sacrifices to the “gods.” This trend is consistent in many alien motifs, where aliens are essentially interchangeable with traditional religious conceptions of the “gods.” Spielberg especially has utilized this idea, as well as Lucas. Indeed, Mt. Sinai itself is the meeting place of man and the God of the Bible, which will be of particular relevance for Raiders.

In the iconic Map Room scene, Indy discovers the location of the Ark of the Covenant. The Staff of Ra lights up the entire chamber, wherein there is a replica of the ancient city itself. Anubis figures prominently on the wall and in Egyptology is associated with embalming and the realm of the dead, and thus corresponds to Cerberus. He is also associated with Sirius, the “Dog Star,” as the gatekeeper for Osiris (Osiris is the god of the dead). In a famous Socratic dialogue, Plato has Socrates say both “by the dog of Egypt” and “by the dog, the god of the Egyptians” (Gorgias, 482b). Thus Ra Sun/Atum light all have a crucial significance here, as Indy receives light by which he is led from superstition, through the use of reason, to divine truth in the one true God. Earlier we had seen the golden skull sun imagery in South America, and in the Map Room Indy becomes enveloped in light. The entire scene mimics a Masonic ceremony wherein the initiate seeks “light.” Indy, like Moses, has now known the “mysteries of Egypt.” (see Acts 7:22).

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7. The Wizard of Oz

A thread common to many esoteric analyses of film is the notion that the occult symbols seem to find their roots in Freemasonry/Theosophy. The same goes for The Wizard of Oz, as the author of the childhood classic, L. Frank Baum, was a noted member of the Theosophical society. The story follows Dorothy, a normal farm-girl from Kansas, who gets swept away by a tornado and brought to the mythical/mysterious land of Oz. She travels the Yellow Brick Road with her dog/spirit familiar Toto (an apparent nod to The Fool card of the Major Arcana), to find her way to the wonderful wizard of Oz, who is somewhere over the rainbow in the Emerald City, all of which can be viewed as an allegorical representation of the soul’s path to illumination.

The Yellow Brick Road, on the other hand, can be viewed as the concept of “The Golden Path” as discussed in Buddhist teaching (a key component in Theosophy), but it is also interesting to note that the color yellow is representative of the solar plexus, the emotional center where the heart and head meet (ego). The path of the Yellow Brick Road is shaped as an outwardly expanding spiral, and it is believed that the spiral represents the evolving self, where the soul ascends from matter into the spirit world. As Dorothy makes her way down the road she wears a pair of ruby slippers, which is an interesting color choice given that red is also representative of the chakra color which corresponds to the energy of our connection with the Earth, carrying the promise of survival. The companions she meets along the way – The Scarecrow, The Cowardly Lion, and the Tin Man – all appear to be fragmented aspects of her psyche. The Scarecrow believes he is without a brain, the Tin Man believes he is without a heart, and the Cowardly Lion believes he is without courage. The three components these friends seem to lack are three of the qualities an initiate to the great mysteries must possess in order ascend to the next level of understanding. The companions believe that if they brave the path together, the Wizard they are destined to meet will give them what they are searching for.

Amidst twists and turns, good witches and bad witches, munchkins and flying monkeys galore, they reach their destination, the Emerald City. Green here is an intentional color choice, as the Emerald City is representative of the heart chakra, which carries the power of love and the transformation of ego. As Dorothy followed her ego (the Yellow Brick Road), was guided by the desires of her base chakra (the ruby slippers), she reached her heart (The Emerald City) to find that the power of transformation was within her (and her friends) all along. The wizard was no wizard at all, beyond the smoke and mirrors – he was no different than they, and the great illumination came from the knowledge of the power of the true self and the heart, gnosis.

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8. Gremlins

This 1984 classic comedy/horror film tells the story of a Christmas present gone awry. The word Gremlin itself is defined as an “imaginary mischievous sprite regarded as responsible for an unexplained problem or fault, especially a mechanical or electronic one.”

The story begins as Randall Peltzer, a failed inventor, stumbles upon a store in Chinatown during his search for the perfect Christmas present for his son, Peter. A strange sound catches his attention, and inside of a cage he finds a creature called a Mogwai (Cantonese for monster). He asks the owner of the store if he can purchase the Mogwai, but is denied because of the great responsibility that comes with owning one of these creatures as a pet. You’re not allowed to expose it to bright light (the light could kill it), you can’t feed it after midnight, and you mustn’t expose it to water because it may then multiply. Although the owner denies Randall the ability to purchase the Mogwai, the owner’s grandson runs out and allows Randall to purchase it, claiming his family needs the money.
Throughout the beginning of the movie we are continuously shown the failed inventions that Randall painstakingly creates with his own hands. Despite his best efforts, nothing works as it should. This clues us in to a potential backstory, alluding to the “gremlins” of his own creation (the mechanical and electronic problems of his inventions), as well as the fact that it is Christmastime, the ultimate consumer holiday. Ironically, the gift Randall purchases is yet another gremlin of his own creation, something he put care and effort into, yet is beyond his control.
When Randall gifts Peter the Mogwai, he affectionately calls it Gizmo (perhaps another nod to the consumer backstory). Chaos ensues after a glass of water accidentally falls on Gizmo, causing him to multiply – giving birth to 5 new Mogwais. While Gizmo is cute/cuddly/benevolent in nature, this new batch is the complete antithesis – they torment Gizmo and are completely malevolent. Their maliciousness worsens when they are accidentally fed after midnight, thereby transforming into “gremlins” (problems). They wreak havoc on the town, causing death, disaster, and destruction – perhaps serving as a warning of the dangers of mass consumerism, or of not following instructions.

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9. Pinocchio

Pinocchio was originally written by Carlo Lorenzini (known by his pen name, Carlo Collodi) between 1881 and 1883 in Italy. An active Freemason, Lorenzini encoded metaphysical and esoteric concepts in the story of the wooden marionette who turns into a real boy.

The Disney film took artistic and creative license by adapting the original story to something more suitable to their tastes, however the fundamental elements and moral still remain. We find the movie beginning with Geppetto, a lonely woodcarver that desperately wishes for a son of his own. His house is filled with clocks, an homage to the illusion of time which has not served him well. To satiate his loneliness, he turns a piece of wood into a marionette with human-like features, and although the marionette brings him joy, he wishes in his heart of hearts that his creation could transform into a real child.

The irony of being the creator as the artist, unable to create his masterpiece (a son), has Gepetto wishing upon a star to turn Pinocchio into a “real boy,” or esoterically speaking, the illuminated man.

The “Blue Fairy” descends to earth and gives Pinocchio the gift of life and free will – but he is not exactly a “real boy.” His task is to prove himself to be brave, truthful, and unselfish – a similar theme to The Wizard of Oz’s notion of gnosis (self-knowledge) through courage, heart, self-reliance, and will.

Masonic teaching presents the process of illumination as the alchemical ideal of turning base metal into gold, or rough stone into smooth stone. In this case,  it is Pinocchio who is being transformed as he begins his initiation into higher consciousness (illumination) as the rough piece of wood, needing to experience the way of the world before becoming a real boy. He finds himself presented with a series of temptations of Earthly pleasures (money, fortune, fame), but with Jiminy Cricket acting as his conscience, he is guided to eventually find the right path, but only through experience, and experience alone.

The story finds Pinocchio being lured to “Pleasure Island,” a place where children eat, drink, smoke, fight, and destroy at will – where school and law no longer exist, in a seeming antithetical nod to the essential Masonic text, Albert Pike’s “Morals and Dogma.” In this part of the story Pinocchio turns into a donkey, which in esoteric terms is the personification of the stubborn animal locked in the material world, ignoring his true spiritual nature.

Eventually the climax occurs when Pinocchio realizes the error of his ways and returns home to reunite with Gepetto – but the house is empty, and Gepetto has been swallowed by a giant whale. This is, of course, a metaphorical nod to the story of Jonah and the Whale, which has its own occult significance. Manly P. Hall explains:

“When used as a symbol of evil, the fish represented the earth (man’s lower nature) and the tomb (the sepulcher of the Mysteries). Thus was Jonah three days in the belly of the ‘great fish,’ as Christ was three days in the tomb. Several early church fathers believed that the ‘whale’ which swallowed Jonah was the symbol of God the Father, who, when the hapless prophet was thrown overboard, accepted Jonah into His own nature until a place of safety was reached. The story of Jonah is really a legend of initiation into the Mysteries, and the ‘great fish’ represents the darkness of ignorance which engulfs man when he is thrown over the side of the ship (is born) into the sea (life).”

Pinocchio sacrifices himself by jumping into the belly of the beast (the whale), where he saves Gepetto, and emerges into the light. Thus proving his spiritual worth through the initiation phases of trial and error, forgoing temptation and sacrificing for love.

In the end, the Blue Fairy allows Gepetto’s wish to come true, as Pinocchio is granted the ability to become a real boy, and Jiminy Cricket receives a solid gold badge, a seeming indication that his role as Pinocchio’s conscience allowed his base consciousness to alchemically transform into gold (illumination).

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10. Dune

Herbert’s novel, adapted into a film by David Lynch, is a fantastical blend of Islamic mysticism and imagery that immediately brings to mind ancient Afghani Sufism. The the opium trade has long been a center of global chess moves, particularly with the British Empire’s control and use of opium and its Great Game espionage maneuvers with Russia. Herbert is clearly aware of this global alignment and includes these very human drives in his futuristic, anti-imperial novel. The novel immediately made me think of Gould and Fitzgerald’s famous Invisible History, which details the importance of Afghanistan in Middle Eastern power moves, not just due to its centrality for the drug trade, but also due to its crucial “mystical” significance.

The narrative’s focus on ecology is also a rebuke to modern scientism which presumptuously enacts the rape of nature and mankind with no concern for an ecosystem that is part of a natural process. All natural hierarchies are restored by Paul Muad’dib and only under this hieratic order is true freedom restored. Paul and the “free-men” represent the masculine order placed back in power under which health and a blossomed, terraformed Dune emerge from a wasteland. This is also why Paul undergoes the Shai-Hulud (Old Father Eternity) worm bile ritual, wherein he experiences a crossing of the abyss to enter that place where the Bene Gesserit Sisterhood “cannot go.” When Muad’dib returns from this death/resurrection ritual, he is apotheosized to bring and end to the rule of the female power and the unrighteous. It is also worth noting that the imperial power sees mankind as a “disease” that must be eradicated through population control. The Sisterhood evidences this, too, with their attempt to engineer the kwisatz haderach. The Harkonnen follow suit with young boy sex slaves, as well as the imperial power brainwashing noble house servants and assassins for programmed missions. Here Herbert hints at programs like MKULTRA and human trafficking that are very real evils in modernity, though they are given little mainstream press attention.

As we explore the esoteric meaning of the subliminal messages encoded within these classics, although seemingly stranger than fiction, the spiritual morals of each seem to carry the same ethos – know yourself, and you will know the world, know the world, and there you will find enlightenment. The art of film is a medium that can convey complex ideas on a deeper level that we are unaware of, yet it also brands fond memories into our hearts. It is only until we analyze these films that we find the exact reason for why they tug on our heart strings in the first place.

Special thanks to Jay Dyer of Jay’s Analysis for collaborating with us!

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Corey Feldman To Release Documentary On The ‘Biggest Problem In Hollywood’ – Pedophilia

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In Brief

  • The Facts:

    Child actor Corey Feldman recently released a trailer for his upcoming documentary "(My) Truth: The Rape of Two Corey's" that is set to expose his experience with pedophilia as a child actor in Hollywood.

  • Reflect On:

    For years this problem has continued, and does today. How does it continue to happen with so much awareness? How much power do these people have? Who are they connected to?

The topic of pedophilia and the trafficking of children has gained a lot of attention within the past year alone, more than we’ve ever seen from the mainstream. This is due in large part to revelations like the entire Jeffrey Epstein/Prince Andrew Saga, which brought even more attention to this issue. Another example is the rampant child porn haring that’s been happening within the Pentagon.

And so there is a growing awareness to the fact that this type of activity is going on in places of high power amongst many people who seem to be above the law. Fortunately we have seen some prosecutions, like the recent conviction of the Vatican’s Cardinal George Pell for sexually abusing children. The list is long. In fact, more details have emerged suggesting that one of Epstein’s main jobs was to entrap high profile people into committing these very types of crimes. You can read more about that specifically here.

Hollywood

When it comes to Hollywood specifically, Harvey Weinstein and recent Kevin Spacey allegations have been responsible for bringing even more awareness to the problem of sexual abuse, and it’s not surprising that Weinstein roamed within the same circles as Epstein, as you can see here.

Smallville actress Allison Mack’s role as a lead member of the NXIVM sex cult also brought attention to the issue. She worked for owner Keith Raniere helping to recruit people into what appeared on the surface to be executive success programs designed to empower people, but within the inner circle was something much different. Raniere was arrested, along with Mack, in March 2018 in Mexico on charges of sex trafficking. This group also has strange connections to the powerful elite, as Billionaire heiress Clare Bronfman was involved, and was indicted on racketeering charges. Rolling Stone reported:

“There are strange political connections as well. Mark Vicente, a documentary filmmaker and former high-ranking member of the group, testified at the trial of NXIVM head Keith Raniere that Clare Bronfman, the billionaire Seagram’s heiress and alleged benefactor of the organization, approached him and a few other members of the group to help her make a contribution to a Clinton campaign.” (source)

So, as you can see, all this is connected in some very strange ways.

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Corey Feldman

A few years ago, one of the biggest child actors of all time, Corey Feldman, gave an interview stating that pedophilia is actually the biggest problem in Hollywood. He’s obviously not the only one from Hollywood who has raised these types of concerns, and he comes from a place of direct experience being one of the biggest child actors of all time.

For a number of years now, he’s been on a mission to expose what’s happening in Hollywood, and what has happened in Hollywood and he’s gone about it very carefully. Now, it’s all culminates in a documentary that’s set to be released on March 9th. During the process, Feldman has been quite outspoken about how hard the process has been, which includes numerous death threats against him and his family and constant requests for him to stop what he’s doing. Obviously there are some very powerful people out there who are afraid of being exposed.

“I can tell you that the number one problem in Hollywood was, and is, and always will be pedophilia. That’s the biggest problem, for children in this industry. . . . It’s all done under the radar . . . it’s the big secret. I was surrounded by them when I was 14 years old . . . they were everywhere, like vultures.” (source)

– Corey Feldman

Since Feldman’s allegations, more victims seem to have come forward. A couple of years ago, the LAPD announced were investigating  28 big name Hollywood moguls for multiple sex crimes. You can read more about that here.

 “Never before has the department received so many sexual assault allegations involving high-profile figures at one time, including many complex cases that are years old with multiple alleged victims.”–LA Times

The trailer for his documentary is below. The title of the documentary is “(My) Truth: The Rape of Two Corey’s,” in memory of his best friend, fellow child star Corey Haim, who has since passed. You can watch a recent interview with Corey and his wife regarding the film, here. And you can follow Corey on twitter for updates, here.

The Issue Goes Much Deeper Based on Our Research

The term “ritual” hasn’t been mentioned in the mainstream. On November 12, 2012 the former Prime Minister of Australia, Julia Gillard, set into motion a Royal Commission to inquire into institutional responses to child abuse. Five years later, in December 2017, the Royal Commission presented its final report to the government, an absolutely damning indictment against institutions that dealt with children, including the Catholic Church. As a result, the current Australian Prime Minister, Scott Morrison, delivered a public apology on October 22, 2018.  You can read more about that story here.

“The crimes of ritual sexual abuse happened in schools, churches, youth groups, scout troops, orphanages, foster homes, sporting clubs, group homes, charities, and in family homes as well.” Australian Prime Minister, Scott Morrison

A paper published in European Psychiatry titled The cremation of care ritual: Burning of effigies or human sacrifice murder? The importance of differentiating complex trauma from schizophrenia in extreme abuse settings” by Dr. Rainer Kurz, explains, a chartered occupational psychologist (Doctor of Philosophy (Ph.D.) at The University of Manchester. Master of Science (MSc) Industrial Psychology at The University of Hull)

In the wake of institutional abuse enquiries and the ‘unbelievable’ child abuse perpetrated by celebrities like Jimmy Saville and Ian Watkins, a ‘new reality’ is setting in that child abuse is pervasive and knows no limits. Reports of elaborate rituals with ‘mock’ human sacrifices at the highly secretive annual ‘Bohemian Grove’ summer festival point towards a pervasive interest in the occult in high society. Mental health professionals have a ‘duty of care’ towards their service users. Unless clear and irrefutable counter-evidence is available it is inappropriate to claim that disclosures of extreme abuse and/or human sacrifice rituals are ‘delusions’ and indicative of Schizophrenia.

When it comes to these pedophile rings and what goes on within them,  the paper linked above cites multiple papers and explains multiple cases:

Epstein, Schwartz & Schwartz (2011) described cases of ‘Forced Impregnation’ by cult members which were followed by Human Sacrifice rituals. They also described UK based abuse groups forced ‘child-on child’ sex abuse salient to the case. Scott (2001) described the casual ease with which some abuse perpetrations torture and kill. 36 survivors completed her survey of whom 34 claimed abuse by members of their immediate family, and 21 by one or both parents. For 34 ritual abuse in childhood involved murder and for 16 involved forced childbirth/abortion. Bekker, Karriker, Overkamp and Rutz (2008) found in their extreme abuse survey that ‘forced impregnation’ by 40 % of 1041 of adult survivors and 33 % of  82 child survivors, and disclosed to 70 percent of 221 professionals bearing witness. Murder of a ‘breeder baby’ by the perpetrators was reported by 26%, 18% and 55% respectively. Witnessing murder by perpetrators was reported 56%, 43% and 77% respectively.

Research eventually led to the Franklin scandal that broke in 1989 when hundreds of children were apparently flown around the US to be abused by high ranking ‘Establishment’ members. Former state senator John W DeCamp, cited as one of the most effective legislators in Nebraska history, is today attorney for two of the abuse victims. A 15 year old girl disclosed that she had been abused since the age of 9 and was exposed since the age of 9 and was exposed to ‘ritual murder’ of a new born girl, a small boy (who was subsequently fried and eaten) and three others. (source)

Related CE Article: Jeffrey Epstein’s Case Raises Questions About Royal Family Pedophilia & Elite Ritualistic Abuse of Children

Our Interview With A Survivor

Anneke Lucas is an author, speaker, advocate for child sex trafficking victims, founder of the non-profit organization Liberation Prison Yoga, and creator of the Unconditional Model.

Her work is based off her 30-year journey to restore her mental and physical wellbeing after surviving some of the worst atrocities known to humankind before the age of 12. Sold as a young child into a murderous pedophile network by her family, she was rescued after nearly six years of abuse and torture.

We recently conducted an interview with her. Below is a clip from the four part series, as it was a very long and detailed interview. You can access the full interview HERE on CETV, a platform we created to help combat internet censorship and allow us to continue to do our work and get the word out about various issues and topics.

This interview goes deep and there’s a good conscious takeaway as to why exposing this type of thing is good, and helps moves humanity forward in several different ways.

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The Nurse Cat From Poland Who Looks After Sick & Injured Animals In A Shelter

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In Brief

  • The Facts:

    Rademenes is a little black cat that has miraculously escaped death after a very close call caused by an upper-respiratory infection. A few years ago he made headlines when his story got out about how he comforts other sick animals.

  • Reflect On:

    We have so much to learn from animals, and we have no right to abuse them in any way.

This is just a simple heartwarming story to hopefully make your day! Rademenes is a little black cat that has miraculously escaped death after a very close call caused by an upper-respiratory infection. He was originally brought to an animal shelter in Bydgoszcz, a city in Poland, to be euthanized, but against all odds, this little black kitty survived. Now with a second chance at life, Rademenes has decided to give back, and spends his days taking care of other animals in the shelter that he was originally admitted to. Workers at this shelter jokingly call this friendly kitty one of their “full-time nurses,” as he provides love and comfort to sick and injured animals. Read on for more of this heartwarming story!

Rademenes is often seen cuddling up and caring for the sick animals that come into the shelter…

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He is known to spend extra time and give extra attention to those animals that are recovering from surgery.

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What a caring and loving guy! I notice whenever I’m sick or upset, my cats seem to know and give me extra attention.

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This furry, black creature will often lick and clean out the ears of the animal patients at the shelter. 

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So sweet…

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These animals are so lucky to have Rademenes by their side! Hopefully he can continue on providing comfort and love for years to come!

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Much Love

Source:

http://tvnmeteo.tvn24.pl/informacje-pogoda/polska,28/rademenes-czarny-kot-ktory-przynosiszczescie-chorym-zwierzetom,162731,1,0.html

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Alternative News

Apple Fined £21,000,000 For Deliberately Slowing Down Older iPhone Models

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In Brief

  • The Facts:

    Apple was caught deliberately slowing down and degrading the battery life of older iPhone models.

  • Reflect On:

    What causes us to create products that are useless after just a year or two? Are we greedy? Or is our economy forcing constant growth and the need to keep raising profits just to stay alive and keep shareholders happy?

An investigation launched in January 2018 determined that Apple had used a software update in order to deliberately slow down older iPhone models. Even though Apple admitted to this accusation, they claim it was done in an effort to try and help preserve the battery life of the phone.

The investigation was undertaken by a consumer watchdog from France, and now Apple will face the wrath of France’s Directorate General for Competition, Consumption and the Suppression of Fraud (DGCCRF), who recently announced this on their website.

The DGCCRF has indeed shown that iPhone owners had not been informed that the updates of the iOS operating system (10.2.1 and 11.2) they installed were likely to slow down the operation of their device.

These updates, released during 2017, included a dynamic power management device which, under certain conditions and especially when the batteries were old, could slow down the functioning of the iPhone 6, SE models and 7.

Unable to revert to the previous version of the operating system, many consumers would have been forced to change their batteries or even buy a new phone.

Apple has not yet commented on this conclusion. However according to the DGCCRF, they have accepted the fine.

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Apple’s Apology

In 2017, when the investigation began, Apple attempted to save face with their consumers by posting the following apology:

We have never — and would never — do anything to intentionally shorten the life of any Apple product, or degrade the user experience to drive customer upgrades.

We’ve been hearing feedback from our customers about the way we handle performance for iPhones with older batteries and how we have communicated that process. We know that some of you feel Apple has let you down. We apologize. There’s been a lot of misunderstanding about the issue so we would like to clarify and let you know about some changes we’re making.

Along with this apology, Apple announced that the company would reduce the cost of the replacement batteries for iPhone 6s and later editions that are out of warranty. They reduced the price from $79 to $29 and this was available anywhere Apple products were sold until December 2018.

Planned Obsolescence?

If you are unfamiliar with this term, it is used to describe a practice companies often use when designing their products, designing them with the intention of having them break down so that consumers will have to repeatedly purchase the product more often. From a business standpoint, it makes sense, if the consumer only had to buy each product once in their life, that wouldn’t be very good for business. But having it deliberately break down every couple of years ensures that the consumer will keep buying it over and over again.

The term ‘perceived obsolescence’ refers to products that are seemingly out of date, and thus the consumer makes the decision to replace the item, even if it’s still in perfect working condition. We all know Apple is famous for this. We see images of people waiting in line overnight, in the cold, just to get the latest model, even though their current model is just fine. Considering Apple comes out with a new model at least every year, all the company would have to do is market it correctly, adding just the right features to persuade the consumer that they must have it. In this day and age, that’s pretty easy to do as we often want the latest and greatest thing to satisfy our constant yearning for more.

Irresponsible or A Factor of Our Economy?

It is great to know that organizations such as the DGCCRF exist, so that these massive corporations can be held accountable for their actions. Not only are these types of business practices deceptive and unfair to the consumer, but from an environmental standpoint, they are destructive. When you consider the amount of resources, manpower, time, and money that are put into these products just to have them deliberately break down, there is very little upside to this tactic other than to keep making more money. This is a clear example of how our species is disconnected from themselves and the world.

We must then ask: what really creates these decisions? Is it greed? The need to stay alive? The need for companies to always post profits? Which then leads us to ask, if we built an economic system where everything gets more expensive every year, and where companies always are forced to do better, doesn’t this mean that we will always have to find ways to cut corners and get people to buy? The thinking of scarcity, which creates and economy based on scarcity is not going to be solved by policy, but a rejection and change in our economic system as a whole. This is course will only come from us changing our thinking first though.

The fact of the matter is that there is technology that exists now that can last much longer than what we currently have available to us. We choose as a whole to use lower quality products just so we can keep our scarcity-based and destructive economic system alive.

This is why we made our latest film called Regenerate: Beyond The CO2 Narrative. It’s a look at our environmental issues from a whole new perspective, one that truly aims to solve the issues we face instead of simply blaming CO2 and working to maintain a scarcity-based economy. You can check out the trailer here.

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Over the past year, Revealed Films has been filming researchers, medical professionals, scientists, athletes, executives, moms, advocates, and many more to clear the air on all things supplements. The global viewing event for Supplements Revealed is finally here and we want you to see it - February 18-28.

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