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The Hidden Meaning Behind These 10 Classic Fantasy Films

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Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.

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Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.

Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

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1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.

So, how does The Neverending Story relate to these concepts? Let’s explore…

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In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.

We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

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2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.

For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

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3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and dischord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.

Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharoah as son of Ra.

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4. Labyrinth

Jim Henson and George Lucas’ Labyrinth hearkens back to the labyrinth of classical mythology, as well as relating to the perennial journey of the hero on his quest to the underworld. One can see how the transference of the earthen labyrinth and abyss-like waterways can be read as an allegory of the unconscious mind, the underworld of Hades and death, as well as being associated with the worlds in which we enter in our dream state. This astral realm, intimately connected to the realm of the subconscious, is the wellspring from which the archetypes of experience spring, corresponding to the archetypal forms in the outer world of phenomenal experience, as we will see below.

evolvegif-jensodiniUpon entering the labyrinth, Sarah learns quickly that things are not as they appear fairies bite, not bless. Doors are not where they appear and missing where they should be. In the medieval world, labyrinths were a symbol of making our way though this wayward world to heaven. In Jung, the Labyrinth is also an image of the individual’s unconscious psyche. We will see Sarah fall several times in the film, deeper and deeper into the labyrinth. In “The Process of Individuation” by M.L. von Franz in Carl Jung’s Man and His Symbols, the author explains of the meaning of the labyrinth as subconscious:

“The maze of strange passages, chambers, and unlocked exits in the cellar recalls the old Egyptian representation of the underworld, which is a well-known symbol of the unconscious with its abilities. It also shows how one is ‘open’ to other influences in one’s unconscious shadow side and how uncanny and alien elements can break in.” (pg. 176)

5. The Last Unicorn

Last_unicornThe film, is based on a book of the same name by Peter S. Beagle, and was produced by Rankin Bass in 1982. The film follows the story of a unicorn who goes on a quest to find out what happened to the others of her kind, after she learns that she is the last of her species. She is guided by a butterfly, who tells her that a demonic creature named the Red Bull herded the remaining unicorns to the edge of Earth.

Following a more fantastical and whimsical storyline, it seems the film/book may have found its roots from a series of tapestries entitled The Hunt of the Unicorn which date back to 1495 – 1505. The tapestry is the allegorical representation of the Passion of the Christ, where the unicorn (aka: the Christ) is hunted, captured, and killed, only to be resurrected and revered.

The unicorn of the film goes through the similar stages, as in the beginning she finds herself hunted/captured when a witch named Mommy Fortuna, finds her and puts her on display in her Midnight Carnival. She eventually escapes with the help of a wizard named Schmendrick, and the two become traveling companions as she continues her journey to find the Red Bull. Eventually they find him, and he presents himself as a fire elemental – an interesting nod to the notion of the devil being the opponent of the pure of heart (the Christ). When they encounter the Red Bull, Schmendrick does a magic trick on the unicorn to protect her from harm, and he transforms her into a human, mortal being, named Almathea, thus experiencing her immortal death. As the story continues to unfold – Almathea begins to forget her immortal nature as the unicorn, and she finds herself eventually falling in love with a prince named Lír.

Struggling to remember her true identity, and reason for embarking on the journey in the first place…she contemplates abandoning her quest completely for the sake of love. However, Lír dissuades her and as the story climaxes – the Red Bull finds her again, kills Lír, and Schmendrick transforms Amalthea back into the unicorn, the resurrection, which allows her to kill the bull, set the other unicorns free, and magically revive Lír.

The movie ends as the unicorn departs back to the forest, and says goodbye to her love. Both now mortal and alone, the love they will carry is what renders both immortal in the spiritual sense – and is the way they are able to revere one another through all eternity, through the sacred heart.

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6. Raiders of the Lost Ark:

Raiders begins with an image of the mountain/high place, which is prominent in Spielberg films, particularly Close Encounters of the Third Kind. There, “Devil’s Tower” in Wyoming becomes the meeting point of the aliens/gods and mankind. Biblically, the Law and prophets frequently mention the “high places” where the pagans and Israelites would offer sacrifices to the “gods.” This trend is consistent in many alien motifs, where aliens are essentially interchangeable with traditional religious conceptions of the “gods.” Spielberg especially has utilized this idea, as well as Lucas. Indeed, Mt. Sinai itself is the meeting place of man and the God of the Bible, which will be of particular relevance for Raiders.

In the iconic Map Room scene, Indy discovers the location of the Ark of the Covenant. The Staff of Ra lights up the entire chamber, wherein there is a replica of the ancient city itself. Anubis figures prominently on the wall and in Egyptology is associated with embalming and the realm of the dead, and thus corresponds to Cerberus. He is also associated with Sirius, the “Dog Star,” as the gatekeeper for Osiris (Osiris is the god of the dead). In a famous Socratic dialogue, Plato has Socrates say both “by the dog of Egypt” and “by the dog, the god of the Egyptians” (Gorgias, 482b). Thus Ra Sun/Atum light all have a crucial significance here, as Indy receives light by which he is led from superstition, through the use of reason, to divine truth in the one true God. Earlier we had seen the golden skull sun imagery in South America, and in the Map Room Indy becomes enveloped in light. The entire scene mimics a Masonic ceremony wherein the initiate seeks “light.” Indy, like Moses, has now known the “mysteries of Egypt.” (see Acts 7:22).

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7. The Wizard of Oz

A thread common to many esoteric analyses of film is the notion that the occult symbols seem to find their roots in Freemasonry/Theosophy. The same goes for The Wizard of Oz, as the author of the childhood classic, L. Frank Baum, was a noted member of the Theosophical society. The story follows Dorothy, a normal farm-girl from Kansas, who gets swept away by a tornado and brought to the mythical/mysterious land of Oz. She travels the Yellow Brick Road with her dog/spirit familiar Toto (an apparent nod to The Fool card of the Major Arcana), to find her way to the wonderful wizard of Oz, who is somewhere over the rainbow in the Emerald City, all of which can be viewed as an allegorical representation of the soul’s path to illumination.

The Yellow Brick Road, on the other hand, can be viewed as the concept of “The Golden Path” as discussed in Buddhist teaching (a key component in Theosophy), but it is also interesting to note that the color yellow is representative of the solar plexus, the emotional center where the heart and head meet (ego). The path of the Yellow Brick Road is shaped as an outwardly expanding spiral, and it is believed that the spiral represents the evolving self, where the soul ascends from matter into the spirit world. As Dorothy makes her way down the road she wears a pair of ruby slippers, which is an interesting color choice given that red is also representative of the chakra color which corresponds to the energy of our connection with the Earth, carrying the promise of survival. The companions she meets along the way – The Scarecrow, The Cowardly Lion, and the Tin Man – all appear to be fragmented aspects of her psyche. The Scarecrow believes he is without a brain, the Tin Man believes he is without a heart, and the Cowardly Lion believes he is without courage. The three components these friends seem to lack are three of the qualities an initiate to the great mysteries must possess in order ascend to the next level of understanding. The companions believe that if they brave the path together, the Wizard they are destined to meet will give them what they are searching for.

Amidst twists and turns, good witches and bad witches, munchkins and flying monkeys galore, they reach their destination, the Emerald City. Green here is an intentional color choice, as the Emerald City is representative of the heart chakra, which carries the power of love and the transformation of ego. As Dorothy followed her ego (the Yellow Brick Road), was guided by the desires of her base chakra (the ruby slippers), she reached her heart (The Emerald City) to find that the power of transformation was within her (and her friends) all along. The wizard was no wizard at all, beyond the smoke and mirrors – he was no different than they, and the great illumination came from the knowledge of the power of the true self and the heart, gnosis.

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8. Gremlins

This 1984 classic comedy/horror film tells the story of a Christmas present gone awry. The word Gremlin itself is defined as an “imaginary mischievous sprite regarded as responsible for an unexplained problem or fault, especially a mechanical or electronic one.”

The story begins as Randall Peltzer, a failed inventor, stumbles upon a store in Chinatown during his search for the perfect Christmas present for his son, Peter. A strange sound catches his attention, and inside of a cage he finds a creature called a Mogwai (Cantonese for monster). He asks the owner of the store if he can purchase the Mogwai, but is denied because of the great responsibility that comes with owning one of these creatures as a pet. You’re not allowed to expose it to bright light (the light could kill it), you can’t feed it after midnight, and you mustn’t expose it to water because it may then multiply. Although the owner denies Randall the ability to purchase the Mogwai, the owner’s grandson runs out and allows Randall to purchase it, claiming his family needs the money.
Throughout the beginning of the movie we are continuously shown the failed inventions that Randall painstakingly creates with his own hands. Despite his best efforts, nothing works as it should. This clues us in to a potential backstory, alluding to the “gremlins” of his own creation (the mechanical and electronic problems of his inventions), as well as the fact that it is Christmastime, the ultimate consumer holiday. Ironically, the gift Randall purchases is yet another gremlin of his own creation, something he put care and effort into, yet is beyond his control.
When Randall gifts Peter the Mogwai, he affectionately calls it Gizmo (perhaps another nod to the consumer backstory). Chaos ensues after a glass of water accidentally falls on Gizmo, causing him to multiply – giving birth to 5 new Mogwais. While Gizmo is cute/cuddly/benevolent in nature, this new batch is the complete antithesis – they torment Gizmo and are completely malevolent. Their maliciousness worsens when they are accidentally fed after midnight, thereby transforming into “gremlins” (problems). They wreak havoc on the town, causing death, disaster, and destruction – perhaps serving as a warning of the dangers of mass consumerism, or of not following instructions.

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9. Pinocchio

Pinocchio was originally written by Carlo Lorenzini (known by his pen name, Carlo Collodi) between 1881 and 1883 in Italy. An active Freemason, Lorenzini encoded metaphysical and esoteric concepts in the story of the wooden marionette who turns into a real boy.

The Disney film took artistic and creative license by adapting the original story to something more suitable to their tastes, however the fundamental elements and moral still remain. We find the movie beginning with Geppetto, a lonely woodcarver that desperately wishes for a son of his own. His house is filled with clocks, an homage to the illusion of time which has not served him well. To satiate his loneliness, he turns a piece of wood into a marionette with human-like features, and although the marionette brings him joy, he wishes in his heart of hearts that his creation could transform into a real child.

The irony of being the creator as the artist, unable to create his masterpiece (a son), has Gepetto wishing upon a star to turn Pinocchio into a “real boy,” or esoterically speaking, the illuminated man.

The “Blue Fairy” descends to earth and gives Pinocchio the gift of life and free will – but he is not exactly a “real boy.” His task is to prove himself to be brave, truthful, and unselfish – a similar theme to The Wizard of Oz’s notion of gnosis (self-knowledge) through courage, heart, self-reliance, and will.

Masonic teaching presents the process of illumination as the alchemical ideal of turning base metal into gold, or rough stone into smooth stone. In this case,  it is Pinocchio who is being transformed as he begins his initiation into higher consciousness (illumination) as the rough piece of wood, needing to experience the way of the world before becoming a real boy. He finds himself presented with a series of temptations of Earthly pleasures (money, fortune, fame), but with Jiminy Cricket acting as his conscience, he is guided to eventually find the right path, but only through experience, and experience alone.

The story finds Pinocchio being lured to “Pleasure Island,” a place where children eat, drink, smoke, fight, and destroy at will – where school and law no longer exist, in a seeming antithetical nod to the essential Masonic text, Albert Pike’s “Morals and Dogma.” In this part of the story Pinocchio turns into a donkey, which in esoteric terms is the personification of the stubborn animal locked in the material world, ignoring his true spiritual nature.

Eventually the climax occurs when Pinocchio realizes the error of his ways and returns home to reunite with Gepetto – but the house is empty, and Gepetto has been swallowed by a giant whale. This is, of course, a metaphorical nod to the story of Jonah and the Whale, which has its own occult significance. Manly P. Hall explains:

“When used as a symbol of evil, the fish represented the earth (man’s lower nature) and the tomb (the sepulcher of the Mysteries). Thus was Jonah three days in the belly of the ‘great fish,’ as Christ was three days in the tomb. Several early church fathers believed that the ‘whale’ which swallowed Jonah was the symbol of God the Father, who, when the hapless prophet was thrown overboard, accepted Jonah into His own nature until a place of safety was reached. The story of Jonah is really a legend of initiation into the Mysteries, and the ‘great fish’ represents the darkness of ignorance which engulfs man when he is thrown over the side of the ship (is born) into the sea (life).”

Pinocchio sacrifices himself by jumping into the belly of the beast (the whale), where he saves Gepetto, and emerges into the light. Thus proving his spiritual worth through the initiation phases of trial and error, forgoing temptation and sacrificing for love.

In the end, the Blue Fairy allows Gepetto’s wish to come true, as Pinocchio is granted the ability to become a real boy, and Jiminy Cricket receives a solid gold badge, a seeming indication that his role as Pinocchio’s conscience allowed his base consciousness to alchemically transform into gold (illumination).

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10. Dune

Herbert’s novel, adapted into a film by David Lynch, is a fantastical blend of Islamic mysticism and imagery that immediately brings to mind ancient Afghani Sufism. The the opium trade has long been a center of global chess moves, particularly with the British Empire’s control and use of opium and its Great Game espionage maneuvers with Russia. Herbert is clearly aware of this global alignment and includes these very human drives in his futuristic, anti-imperial novel. The novel immediately made me think of Gould and Fitzgerald’s famous Invisible History, which details the importance of Afghanistan in Middle Eastern power moves, not just due to its centrality for the drug trade, but also due to its crucial “mystical” significance.

The narrative’s focus on ecology is also a rebuke to modern scientism which presumptuously enacts the rape of nature and mankind with no concern for an ecosystem that is part of a natural process. All natural hierarchies are restored by Paul Muad’dib and only under this hieratic order is true freedom restored. Paul and the “free-men” represent the masculine order placed back in power under which health and a blossomed, terraformed Dune emerge from a wasteland. This is also why Paul undergoes the Shai-Hulud (Old Father Eternity) worm bile ritual, wherein he experiences a crossing of the abyss to enter that place where the Bene Gesserit Sisterhood “cannot go.” When Muad’dib returns from this death/resurrection ritual, he is apotheosized to bring and end to the rule of the female power and the unrighteous. It is also worth noting that the imperial power sees mankind as a “disease” that must be eradicated through population control. The Sisterhood evidences this, too, with their attempt to engineer the kwisatz haderach. The Harkonnen follow suit with young boy sex slaves, as well as the imperial power brainwashing noble house servants and assassins for programmed missions. Here Herbert hints at programs like MKULTRA and human trafficking that are very real evils in modernity, though they are given little mainstream press attention.

As we explore the esoteric meaning of the subliminal messages encoded within these classics, although seemingly stranger than fiction, the spiritual morals of each seem to carry the same ethos – know yourself, and you will know the world, know the world, and there you will find enlightenment. The art of film is a medium that can convey complex ideas on a deeper level that we are unaware of, yet it also brands fond memories into our hearts. It is only until we analyze these films that we find the exact reason for why they tug on our heart strings in the first place.

Special thanks to Jay Dyer of Jay’s Analysis for collaborating with us!

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Second FBI Informant Tried To Entrap Trump Campaign With $2 Million Offer For Hillary Dirt: Roger Stone

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In Brief

  • The Facts:

    Trump aide alleges that an FBI informant tried to spy on and infiltrate the campaign, and entrap them in a deal to exchange cash for Hillary intel.

  • Reflect On:

    If Trump was not an outsider, why was the Deep State so interested in spying and trying to infiltrate his campaign? What do we make of our election process when this is the type of behaviour taking place? Time to evolve?

We had been reporting a great deal during the 2016 campaign that if Hillary made her way into office it would have been the Deep State plan going to perfect tune once again. We talked about a great deal of corruption associated with her as a person, her foundation and her administration.

When Trump ended up in office we talked about this as a divide or fork in the Deep State that Trump was essentially disrupting the longtime running plan that had been going on for decades, as well as playing a key role in pushing for deeper reflections for humanity. This is why we see, for example, a full-on mainstream media barrage against Trump. The cabal is using their voices to attack and confuse the public about the ‘outsider’ that got his way in.

Now, as time goes on, more is being revealed about the shady nature of the 2016 election, as with any, and more is coming forward about not only the previous administration but Hillary’s campaign. We all know what they did to push Bernie Sanders out, the same was being done to Trump.

More Scandals

(Zerohedge) Now, Trump campaign aides Roger Stone and Michael Caputo say that a meeting Stone took in late May, 2016 with a Russian appears to have been an “FBI sting operation” in hindsight, following bombshell reports in May that the DOJ/FBI used a longtime FBI/CIA asset, Cambridge professor Stefan Halper, to perform espionage on the Trump campaign.

“When Stone arrived at the restaurant in Sunny Isles, he said, Greenberg was wearing a Make America Great Again T-shirt and hat. On his phone, Greenberg pulled up a photo of himself with Trump at a rally, Stone said. –WaPo”

The meeting went nowhere – ending after Stone told Greenberg “You don’t understand Donald Trump… He doesn’t pay for anything.” The Post independently confirmed this account with Greenberg.

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After the meeting, Stone received a text message from Caputo – a Trump campaign communications official who arranged the meeting after Greenberg approached Caputo’s Russian-immigrant business partner.

“How crazy is the Russian?” Caputo wrote according to a text message reviewed by The Post. Noting that Greenberg wanted “big” money, Stone replied: “waste of time.” -WaPo

Stone and Caputo now think the meeting was an FBI attempt to entrap the Trump administration – showing the Post evidence that Greenberg, who sometimes used the name Henry Oknyansky, “had provided information to the FBI for 17 years,” based on a 2015 court filing related to his immigration status.

He attached records showing that the government had granted him special permission to enter the United States because his presence represented a “significant public benefit.”

Between 2008 and 2012, the records show, he repeatedly was extended permission to enter the United States under a so-called “significant public benefit parole.” The documents list an FBI agent as a contact person. The agent declined to comment.

Greenberg did not respond to questions about his use of multiple names but said in a text that he had worked for the “federal government” for 17 years.

“I risked my life and put myself in danger to do so, as you can imagine,” he said. -WaPo

“Wherever I was, from Iran to North Korea, I always send information to” the FBI, Greenberg told The Post. “I cooperated with the FBI for 17 years, often put my life in danger. Based on my information, there are so many arrests criminal from drugs and human trafficking, money laundering and insurance frauds.”

Stone and Caputo say it was a “sting operation” by the FBI:

“I didn’t realize it was an FBI sting operation at the time, but it sure looks like one now,” said Stone.

“If you believe that [Greenberg] took time off from his long career as an FBI informant to reach out to us in his spare time, I have a bridge in Brooklyn that I want to sell you,” Caputo said in an interview.

Greenberg told WaPo he stopped working with the FBI “sometime after 2013.”

In terms of the timeline, here’s where the Greenberg meeting fits in:

April 26, 2016 – Maltese professor Joseph Mifsud allegedly tells Trump campaign aide George Paoadopoulos that the Russians had dirt on Hillary Clinton

Papadopoulos’ statement of offense also detailed his April 26, 2016, meeting with Mifsud at a London hotel. Over breakfast Mifsud told Papadopoulos “he had just returned from a trip to Moscow where he had met with high-level Russian governmental officials.” Mifsud explained, “that on that trip he (the Professor) learned that the Russians had obtained ‘dirt’ on then-candidate Clinton.” Mifsud told Papadopoulos “the Russians had emails of Clinton.” -The Federalist

May 10, 2016 – Papadopoulos tells former Australian Diplomat Alexander Downer during an alleged “drunken barroom admission” that the Russians had information which “could be damaging” to Hillary Clinton.

Late May, 2016 – Stone is approached by Greenberg with the $2 million offer for dirt on Clinton

Related CE Podcast: Trump, Alt News, & Disclosure W/ Jordan Sather

July 2016 – FBI informant (spy) Stefan Halper meets with Trump campaign aide Carter Page for the first time, which would be one of many encounters.

July 31, 2016 – the FBI officially launches operation Crossfire Hurricane, the code name given to the counterintelligence operation against the Trump campaign.

September 2016 – Halper invites Papadopoulos to London, paying him $3,000 to work on an energy policy paper while wining and dining him at a 200-year-old private London club on September 15.

Foggy memory

Stone and Caputo say they didn’t mention the meeting during Congressional testimony because they forgot, chalking it up to unimportant “due diligence.” Apparently, random offers for political dirt in exchange for millions are so common in D.C. that one tends to forget.

Stone and Caputo said in separate interviews that they also did not disclose the Greenberg meeting during testimony before the House Permanent Select Committee on Intelligence because they had forgotten about an incident that Stone calls unimportant “due diligence” that would have been “political malpractice” not to explore. -WaPo

While Greenberg and Stone’s account of the meeting mostly checked out (after Greenberg initially denied Stone’s account), Greenberg said that a Ukrainian friend named “Alexi” who was fired by the Clinton Foundation attended as well, and was the one asking for the money – while Stone said Greenberg came alone to the meeting.

“We really want to help Trump,” Stone recalled Greenberg saying during the brief encounter.

Greenberg says he sat at a nearby table while Alexei conducted the meeting. “Alexei talks to Mr. Stone, not me,” he wrote.

The Clinton Founation has denied ever employing anyone with the first name of Alexi.

Caputo’s attorney on Friday sent a letter amending his House testimony, and he plans to present Caputo’s account of the Greenberg incident to the Office of Inspector General for the Department of Justice, which has announced it is examining the FBI’s use of informants during the Russia probe. Stone said his attorney has done the same. -WaPo

Second FBI informant

Caputo hinted at the interaction in late May when he said that there were multiple government informants who approached the Trump campaign:

“Let me tell you something that I know for a fact,” Caputo said during a May 21 interview on Fox News. “This informant, this person [who] they tried to plant into the campaign … he’s not the only person who came into the campaign. And the FBI is not the only Obama agency who came into the campaign.”

“I know because they came at me,” Caputo added. “And I’m looking for clearance from my attorney to reveal this to the public. This is just the beginning.”

Stone told the Post that he may be indicted by Special Counsel Robert Mueller and charged “with a crime unrelated to the election in order to silence him,” and that he anticipates the meeting with Greenberg may be used to try and pressure him to testify against President Trump (leaving no stone unturned), which he told the Post he would never do.

Get Your FREE In Depth Numerology Reading

Your life path number can tell you A LOT about you.

With the ancient science of Numerology you can find out accurate and revealing information just from your name and birth date.

Get your free numerology reading and learn more about how you can use numerology in your life to find out more about your path and journey. Get Your free reading.

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Chilling “Before And After” Photos Of Libya Go Viral

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In Brief

  • The Facts:

    A man takes pictures of Libya before and after post Hillary Clinton-NATO “liberation” of Libya. The reality is chilling.

  • Reflect On:

    What was the real reason Gadaffi was removed from power? Why was Hillary Clinton so proud of killing this man only to leave the country in devastation? Are we doing the right thing by supporting these politicians?

In the year 2000, a Libyan man took several photos of himself situated at various spots across the city of Benghazi, Libya. 18 years later, he recently revisited the exact same locations to take photos of the spectacular, beautiful human trafficking laden, NATO liberated mess of modern day Libya under the rule of the United Nation’s backed regime.

When we think about how western nations have gone into countries and destructed what they had, took over and ‘rebuilt’ as it’s often called, we have this image of something being done that is ‘right.’ What we don’t consider is all of the innocent people who are killed, the REAL reasons why western countries are looking to take over others, why they create, fund and aggressively push the idea of terrorism and so forth.

“Utter devastation” is how Libya is described today, after a coalition of over 19 countries and NATO took out the regime, in an incredible show of force that seems to resemble what they want to do to Syria or Iran today if you observe the pattern.

The man’s before and after photos have gone viral, with 50,000 retweets at least after being posted to an account that tends to feature other historical images of Libya while it was under the rule of the enemy of both Al Qaeda and the West, Gaddafi, between 1969 and 2011.

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Via Zerohedge…

It appears people do still care about Libya even if the political elites in Paris, London, and Washington who destroyed the country have moved on. Though we should recall that British foreign secretary Boris Johnson was caught on tape in a private meeting last year saying Libya was ripe for UK investment, but only after Libyans “clear the dead bodies away.”

We previously detailed in Libya’s Slave Auctions And African Genocide: What Hillary Knew how Libya went from being a stable, modernizing secular state to a hellhole of roving jihadist militias, warring rival governments, and open-air slave auctions of captured migrants.

Yet what the viral photos confirm is that Libya was once a place of sprawling hotels, wide and clean city streets, functioning infrastructure, and lively neighborhoods. But these very places are now bullet-ridden ruins rotting amidst the political backdrop of the ‘Mad Max’ style chaos unleashed immediately after US-NATO’s bombing the country into regime change.

Hillary still says that she has no regrets even after Obama timidly voiced a half-hearted and too-little-too-late Libya mea culpa of sorts in 2016.

Though Hillary’s beloved Libyan Al Qaeda …”rebels” — legitimized and empowered through broad support from the West — are now among the very militias hosting slave auctions and fueling the European refugee crisis, she’s never so much as hinted that regime change in Libya left the country and much of the region in shambles. Instead, she simply chose to conclude her role in the tragic story of Libya with her crazed and gleeful declaration of “we came, we saw, he died.”

Regime change enthusiasts everywhere please take note of what your blind jingoism has wrought.

A year before the NATO bombing of Libya the UN Development Programme (UNDP) assigned a Human Development Index (HDI) ranking of 53 to Libya (out of 169 countries ranked, Libya ranked highest on the African continent).

Right up until the eve of NATO’s air campaign against the Libyan state, international media outlets understood and acknowledged the country’s high human development rankings, though it later became inconvenient to present the empirical data. A February 2011 BBC report is a case in point.

The 2011 war and aftermath created a failed state with a once economically independent population now turned largely dependent on foreign aid and relief.

Currently considered to be at “emergency levels” of need, prior to NATO intervention Libya was not even on the World Food Program’s radar, yet is now considered a dire humanitarian disaster zone.

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Alternative News

Should Government Be ‘Protecting’ Gender Identity/Expression?

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In Brief

  • The Facts:

    Ontario's Bill 89 expanded the province's child welfare laws to include protection of a child's "gender identity and gender expression."

  • Reflect On:

    Is the ability of individuals in a society to respect and manage differences amongst one another something that is best fostered by mandated government oversight?

With any new legislation that increases the power of government over people–and what new legislation can you think of in recent history that does otherwise?—there is reason for concern and vigilance.

For example, a year ago the Ontario government passed Bill 89 into law. It was called the ‘Supporting Children, Youth and Families Act’ and was an update to the province’s child welfare laws, including child protective services, foster care, and adoption.

New ‘Protections’ For Gender Identity And Gender Expression

Of note was an update to the criteria for analyzing the wellbeing of a child to match the human rights code. These include “a child’s or young person’s race, ancestry, place of origin, colour, ethnic origin, citizenship, family diversity, disability, creed, sex, sexual orientation, gender identity and gender expression.”

Yes, that’s right. The ‘protection’ of a child’s gender identity and gender expression is now in the hands of our ‘benevolent expert’ on everything under the sun—our government.

Foreboding Statement

The man who introduced the bill last year was Michael Coteau, Minister of Child and Family Services. His statements about the new protections for gender identity and expression certainly seems to challenge parents’ autonomy in making choices on behalf of their children:

“I would consider that a form of abuse, when a child identifies one way and a caregiver is saying no, you need to do this differently. If it’s abuse, and if it’s within the definition, a child can be removed from that environment and placed into protection where the abuse stops.”—MP Michael Coteau

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Bill 89 retains the provision in current law that a child who is suffering or “at risk of suffering” mental or emotional harm and whose parents do not provide “treatment or access to treatment” is in need of protection under the law.

Disturbing Hypotheticals

This information can lead to the contemplation of some disturbing possibilities. Let us say that your doctor, or teacher, believes that your 10-year old child is experiencing what the American Psychiatric Association has coined ‘Gender Dysphoria’, which they define as follows:

Gender dysphoria involves a conflict between a person’s physical or assigned gender and the gender with which he/she/they identify. People with gender dysphoria may be very uncomfortable with the gender they were assigned, sometimes described as being uncomfortable with their body (particularly developments during puberty) or being uncomfortable with the expected roles of their assigned gender.

People with gender dysphoria may often experience significant distress and/or problems functioning associated with this conflict between the way they feel and think of themselves (referred to as experienced or expressed gender) and their physical or assigned gender.

If the Ministry of Child and Family Services is made aware of signs of  ‘gender dysphoria’ on the part of your child, they have the right to ensure that a parent is taking what the ministry would consider ‘treatment or access to treatment’  that would mitigate the risk of suffering mental or emotional harm.

So then if individual human beings in the ministry, in their ever-expanding role of all-seeing and all-knowing authority on all things ‘children’, have decided to side with the notion held by some in the medical establishment that ‘puberty blockers’—pharmaceutical drugs designed to temporarily delay the onset of puberty—is appropriate ‘treatment’ for reducing the risk of the child suffering mental or emotional harm as a result of their ‘gender dysphoria,’ then, hypothetically, the ministry would have the power to take your 10-year old away from you unless you submit them to this drug ‘treatment’ program.

Big Leap

Certainly, this is a big hypothetical leap. There have been no cases resembling this in Ontario since the law was passed. Comments made by Akihito Tse from the Ontario Child’s Advocate Office made in this article appear to bring us back from the edge of the cliff:

Mere disagreement with a child about their gender identity or gender expression is not enough to bring the child into care. Instead, it has to be part of “a pattern of abuse, neglect or serious emotional harm” before removing the child can be considered, according to Akihito Tse, a spokesperson for the advocate’s office.

The reasons a child may require protection are laid out in section 74(2) of Bill 89. There is no specific reference to gender identity or gender expression, but if a child is suffering sexual, physical, or emotional abuse, including “serious” psychological effects, child welfare agencies may intervene.

As Tse noted, there is a high threshold for ever removing a child from their family, and the decision to take a young person into care cannot be made by government bureaucrats and child aid workers alone. “There is a clear process through which the final decision is made by a judge,” Tse said.

Stuck In The Left/Right Dichotomy

Perhaps, from a moderate and balanced perspective, there is no need for urgent and immediate concern. I say perhaps. In trying to examine the information on this subject on the internet, the moderate seeker is struck by an inescapable phenomena: the whole discussion (read: contentious battle) about the implications of government becoming the protector of a child’s gender rights is cast as the struggle between Far-Right Religious Conservatives fighting for their rights to raise their children in accordance with their dogmatic religious beliefs on gender, and Far-Left Liberals fighting for the radical breakdown of traditional societal order through the government-sponsored promotion of gender confusion and ambiguity–depending, of course, on which side you’re on.

In this landscape, it appears that there is no room for moderates—you know, those of us who don’t really care to identify with one of the polarities—to be part of the discussion. And that’s exactly the way our authority wants it. And by authority I don’t mean the government, I mean those who control the government.

To say that government overreach is at play here is not making a statement in favor of extreme right-wing agendas over extreme left-wing agendas. It is an observation that those powerful forces that control the government constantly fuel the fires of this polarity to exert more and more control over citizens. If we look back in history, it matters not which side of the spectrum is used to advance their agenda of control, as long as the battle between the polarities rages on to hide the influence of their hidden hand. And I do indeed believe that our authority has to some extent promoted and sponsored gender confusion in our society, doing so with absolute and complete disregard for the health and well-being of people who are transgender as well as an underlying disrespect for all individuals that make up our society.

A Moderate Perspective

I believe a moderate perspective on the matter of gender identity and expression focuses on the following points:

  • Physiologically there are 2 human genders: male and female
  • There are people who exist in our society that are not comfortable with their gender as denoted by their physiology
  • Some of these people identify with the gender opposite to the gender denoted by their physiology
  • Individuals have the right to choose to submit to treatments that modify or change aspects of their physiology when they reach a sufficient level of maturity to make informed decisions

As individuals, as a society, how should we deal with these facts? Through open dialogue and communication in search of truth; through a desire to share and to learn from each other as kindred souls; and with respect for differences between us and compassion about the impact of these differences in how we live together.

It is in bringing consciousness to bear in our personal lives and in the way we deal with others in our society that these matters are best handled. One important step is to join the growing number of people who have decided to dis-identify with either side of this fabricated extreme left/right polarity and promote open-minded and open-hearted discourse.

Related CE Podcast: Why We Get So Offended

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Your life path number can tell you A LOT about you.

With the ancient science of Numerology you can find out accurate and revealing information just from your name and birth date.

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