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The Hidden Meaning Behind These 10 Classic Fantasy Films

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Nostalgia is defined as the “sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations.” The feeling can sometimes be evoked from music, a pleasant memory of the past, or any sensory perception that was crystallized in time by a fondly experienced moment. An extremely powerful medium for evoking nostalgia is film, because it has the ability to touch our consciousness on multiple levels, as well as on a deeper, subconscious level we are not even aware of until we intentionally take a look back and analyze.

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Fantasy and sci/fi films in particular tend to evoke the affectionate feeling of nostalgia, as well as whimsy, because of the fantastical dreamscapes and imagery they contain. Analyzing the deeper subliminal messages encoded within these films, we find there may be a “hidden hand” at work that intentionally orchestrated esoteric subplots whose roots can be found in ancient hermetic teaching/mystery school tradition.

Below I’ve compiled a list, along with Jay Dyer of Jay’s Analysis, which explains the subtext and symbolism of some of our favorite films.

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1. The Neverending Story

Theosophy is a system of esoteric philosophy concerning the mysteries of being and nature, particularly concerning the nature of divinity. “The Secret Doctrine” by HP Blavatsky, published in 1888, is viewed by many as the text responsible for the New Age movement. The sister of Theosophy, Anthroposophy, developed by Rudolf Steiner, shares a similar ethos, yet can be more related to Spirit Science as opposed to New Age.

So, how does The Neverending Story relate to these concepts? Let’s explore…

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In The Neverending Story, the central symbolic image is the ouroboros. Protagonaist Bastian encounters a magician in a bookstore and attempts to read his occult wonderworking text, The Neverending Story, replete with an Ouroboros on the cover. As it turns out, Bastian is himself written into, and participates in, the process of creating this story. In literature studies, this is known as metafiction, where the narrative is taken to another level – an appropriate usage in this case, since the view of alternate worlds and and all possible worlds comes into play. This is significant because the film is working from a paradigm in which notions of a multi-verse ends up necessitating that all possibilities are eventually made actual. The Ouroboros symbolizes this concept in ancient religions, as well as in gnosticism and hermeticism with the notion of eternal return.

We discover that Bastian must ultimately must rename the Empress, giving her the name of his dead mother, who we find out is called “Moon Child.” Bastian screams “Moon Child!” when Fantasia is imploding, and “Moonchild” has the occult association with a novel by Aleister Crowley. Its usage also links the Empress with Bastian’s mother, or the feminine sophia archetype. Indeed, research into the scheme author Michael Ende drew up for Fantasia reveals that the Empress is the feminine embodiment of the spirit of Fantasia. She is then the “soul of the world,” or the anima mundi, in Platonic parlance. It is also interesting that she appears as a kind of Venus or Aphrodite, as well as being associated with vaginal imagery. She is the virgin queen sophia, who lacks the male principle – a role Bastian must fill when Fantasia is re-created after the chaos of the Nothing.

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2. E.T.

Like Close Encounters of the Third Kind, E.T. is loaded with esoteric and conspiratorial clues and messages, but also has its own unique emphasis, providing 80’s youths with a new approach to the issue of other-worldly beings. That is also the theme of E.T., though with E.T. the imagery is intended to evoke the subconscious of the youth. Close Encounters is an adult’s story, while E.T. is for kids. Both films focus heavily on communication, language, and symbols, and involve complex usages of synchronicity, foreshadowing, and occult symbology.

For example, moon imagery comes to the fore with E.T., and in the iconic scenes we can derive a deeper meaning: it is significant that it is under the moon that Elliot first encounters E.T. The moon has an important role in mythology, regulating the female ovulatory cycle, and is thus associated with femininity. In astrology, the moon has a direct influence on human actions, and here, as a possible “moonchild,” Elliot encounters what will be his familiar. My contention with E.T. is that he is more like a familiar spirit than an “alien.” In classical descriptions of the familiar, the spirit can be associated with an animal. Is Elliot a kind of “Moonchild,” referencing the Crowleyan mythology of a demonic insemination? Elliot is spoken of as chosen, and through E.T. will have magical powers.

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3. The Dark Crystal

Set in a mythical world like Fantasia, The Dark Crystal is Jim Henson’s mystical puppet masterpiece. Focusing on the notion of a 1,000 year cycle, this world is premised on a Hindu theme, similar to the doctrine of Kali Yuga, where we are currently entering an age dominated by chaos, the demonic, strife, and dischord. This is also similar to the notion espoused by other occultists that this is the aeon of the child, or of Horus, etc. Occultist Madame Blavatsky also formulated theories of numerous other races and worlds that preceded our own, and the Babylonian Talmud mentioned such ideas as well. It becomes evident that Henson, like Lucas, borrowed heavily from the mythology of various cultures in constructing this narrative.

Eastern dualist conceptions occupy a prominent role in the film, where the Skekses represent the left hand path of severity and cruelty, control and empire, while the “gentle mystics” represent the “gentle ways of natural wizards.” The Skekses are harbingers of technology and power, harnessing the Dark Crystal for the purpose of advanced control mechanisms and even brainwashing, while the mystics are in tune with nature and the forest. The Mystics chant the Buddhist “Om,” further reinforcing the eastern religious conceptions, while the Skekses are busy enacting the “Ceremony of the Sun” for the passing of the Emperor, which brings to mind ancient imperial Egyptian theology and its identification of Pharoah as son of Ra.

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4. Labyrinth

Jim Henson and George Lucas’ Labyrinth hearkens back to the labyrinth of classical mythology, as well as relating to the perennial journey of the hero on his quest to the underworld. One can see how the transference of the earthen labyrinth and abyss-like waterways can be read as an allegory of the unconscious mind, the underworld of Hades and death, as well as being associated with the worlds in which we enter in our dream state. This astral realm, intimately connected to the realm of the subconscious, is the wellspring from which the archetypes of experience spring, corresponding to the archetypal forms in the outer world of phenomenal experience, as we will see below.

evolvegif-jensodiniUpon entering the labyrinth, Sarah learns quickly that things are not as they appear fairies bite, not bless. Doors are not where they appear and missing where they should be. In the medieval world, labyrinths were a symbol of making our way though this wayward world to heaven. In Jung, the Labyrinth is also an image of the individual’s unconscious psyche. We will see Sarah fall several times in the film, deeper and deeper into the labyrinth. In “The Process of Individuation” by M.L. von Franz in Carl Jung’s Man and His Symbols, the author explains of the meaning of the labyrinth as subconscious:

“The maze of strange passages, chambers, and unlocked exits in the cellar recalls the old Egyptian representation of the underworld, which is a well-known symbol of the unconscious with its abilities. It also shows how one is ‘open’ to other influences in one’s unconscious shadow side and how uncanny and alien elements can break in.” (pg. 176)

5. The Last Unicorn

Last_unicornThe film, is based on a book of the same name by Peter S. Beagle, and was produced by Rankin Bass in 1982. The film follows the story of a unicorn who goes on a quest to find out what happened to the others of her kind, after she learns that she is the last of her species. She is guided by a butterfly, who tells her that a demonic creature named the Red Bull herded the remaining unicorns to the edge of Earth.

Following a more fantastical and whimsical storyline, it seems the film/book may have found its roots from a series of tapestries entitled The Hunt of the Unicorn which date back to 1495 – 1505. The tapestry is the allegorical representation of the Passion of the Christ, where the unicorn (aka: the Christ) is hunted, captured, and killed, only to be resurrected and revered.

The unicorn of the film goes through the similar stages, as in the beginning she finds herself hunted/captured when a witch named Mommy Fortuna, finds her and puts her on display in her Midnight Carnival. She eventually escapes with the help of a wizard named Schmendrick, and the two become traveling companions as she continues her journey to find the Red Bull. Eventually they find him, and he presents himself as a fire elemental – an interesting nod to the notion of the devil being the opponent of the pure of heart (the Christ). When they encounter the Red Bull, Schmendrick does a magic trick on the unicorn to protect her from harm, and he transforms her into a human, mortal being, named Almathea, thus experiencing her immortal death. As the story continues to unfold – Almathea begins to forget her immortal nature as the unicorn, and she finds herself eventually falling in love with a prince named Lír.

Struggling to remember her true identity, and reason for embarking on the journey in the first place…she contemplates abandoning her quest completely for the sake of love. However, Lír dissuades her and as the story climaxes – the Red Bull finds her again, kills Lír, and Schmendrick transforms Amalthea back into the unicorn, the resurrection, which allows her to kill the bull, set the other unicorns free, and magically revive Lír.

The movie ends as the unicorn departs back to the forest, and says goodbye to her love. Both now mortal and alone, the love they will carry is what renders both immortal in the spiritual sense – and is the way they are able to revere one another through all eternity, through the sacred heart.

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6. Raiders of the Lost Ark:

Raiders begins with an image of the mountain/high place, which is prominent in Spielberg films, particularly Close Encounters of the Third Kind. There, “Devil’s Tower” in Wyoming becomes the meeting point of the aliens/gods and mankind. Biblically, the Law and prophets frequently mention the “high places” where the pagans and Israelites would offer sacrifices to the “gods.” This trend is consistent in many alien motifs, where aliens are essentially interchangeable with traditional religious conceptions of the “gods.” Spielberg especially has utilized this idea, as well as Lucas. Indeed, Mt. Sinai itself is the meeting place of man and the God of the Bible, which will be of particular relevance for Raiders.

In the iconic Map Room scene, Indy discovers the location of the Ark of the Covenant. The Staff of Ra lights up the entire chamber, wherein there is a replica of the ancient city itself. Anubis figures prominently on the wall and in Egyptology is associated with embalming and the realm of the dead, and thus corresponds to Cerberus. He is also associated with Sirius, the “Dog Star,” as the gatekeeper for Osiris (Osiris is the god of the dead). In a famous Socratic dialogue, Plato has Socrates say both “by the dog of Egypt” and “by the dog, the god of the Egyptians” (Gorgias, 482b). Thus Ra Sun/Atum light all have a crucial significance here, as Indy receives light by which he is led from superstition, through the use of reason, to divine truth in the one true God. Earlier we had seen the golden skull sun imagery in South America, and in the Map Room Indy becomes enveloped in light. The entire scene mimics a Masonic ceremony wherein the initiate seeks “light.” Indy, like Moses, has now known the “mysteries of Egypt.” (see Acts 7:22).

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7. The Wizard of Oz

A thread common to many esoteric analyses of film is the notion that the occult symbols seem to find their roots in Freemasonry/Theosophy. The same goes for The Wizard of Oz, as the author of the childhood classic, L. Frank Baum, was a noted member of the Theosophical society. The story follows Dorothy, a normal farm-girl from Kansas, who gets swept away by a tornado and brought to the mythical/mysterious land of Oz. She travels the Yellow Brick Road with her dog/spirit familiar Toto (an apparent nod to The Fool card of the Major Arcana), to find her way to the wonderful wizard of Oz, who is somewhere over the rainbow in the Emerald City, all of which can be viewed as an allegorical representation of the soul’s path to illumination.

The Yellow Brick Road, on the other hand, can be viewed as the concept of “The Golden Path” as discussed in Buddhist teaching (a key component in Theosophy), but it is also interesting to note that the color yellow is representative of the solar plexus, the emotional center where the heart and head meet (ego). The path of the Yellow Brick Road is shaped as an outwardly expanding spiral, and it is believed that the spiral represents the evolving self, where the soul ascends from matter into the spirit world. As Dorothy makes her way down the road she wears a pair of ruby slippers, which is an interesting color choice given that red is also representative of the chakra color which corresponds to the energy of our connection with the Earth, carrying the promise of survival. The companions she meets along the way – The Scarecrow, The Cowardly Lion, and the Tin Man – all appear to be fragmented aspects of her psyche. The Scarecrow believes he is without a brain, the Tin Man believes he is without a heart, and the Cowardly Lion believes he is without courage. The three components these friends seem to lack are three of the qualities an initiate to the great mysteries must possess in order ascend to the next level of understanding. The companions believe that if they brave the path together, the Wizard they are destined to meet will give them what they are searching for.

Amidst twists and turns, good witches and bad witches, munchkins and flying monkeys galore, they reach their destination, the Emerald City. Green here is an intentional color choice, as the Emerald City is representative of the heart chakra, which carries the power of love and the transformation of ego. As Dorothy followed her ego (the Yellow Brick Road), was guided by the desires of her base chakra (the ruby slippers), she reached her heart (The Emerald City) to find that the power of transformation was within her (and her friends) all along. The wizard was no wizard at all, beyond the smoke and mirrors – he was no different than they, and the great illumination came from the knowledge of the power of the true self and the heart, gnosis.

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8. Gremlins

This 1984 classic comedy/horror film tells the story of a Christmas present gone awry. The word Gremlin itself is defined as an “imaginary mischievous sprite regarded as responsible for an unexplained problem or fault, especially a mechanical or electronic one.”

The story begins as Randall Peltzer, a failed inventor, stumbles upon a store in Chinatown during his search for the perfect Christmas present for his son, Peter. A strange sound catches his attention, and inside of a cage he finds a creature called a Mogwai (Cantonese for monster). He asks the owner of the store if he can purchase the Mogwai, but is denied because of the great responsibility that comes with owning one of these creatures as a pet. You’re not allowed to expose it to bright light (the light could kill it), you can’t feed it after midnight, and you mustn’t expose it to water because it may then multiply. Although the owner denies Randall the ability to purchase the Mogwai, the owner’s grandson runs out and allows Randall to purchase it, claiming his family needs the money.
Throughout the beginning of the movie we are continuously shown the failed inventions that Randall painstakingly creates with his own hands. Despite his best efforts, nothing works as it should. This clues us in to a potential backstory, alluding to the “gremlins” of his own creation (the mechanical and electronic problems of his inventions), as well as the fact that it is Christmastime, the ultimate consumer holiday. Ironically, the gift Randall purchases is yet another gremlin of his own creation, something he put care and effort into, yet is beyond his control.
When Randall gifts Peter the Mogwai, he affectionately calls it Gizmo (perhaps another nod to the consumer backstory). Chaos ensues after a glass of water accidentally falls on Gizmo, causing him to multiply – giving birth to 5 new Mogwais. While Gizmo is cute/cuddly/benevolent in nature, this new batch is the complete antithesis – they torment Gizmo and are completely malevolent. Their maliciousness worsens when they are accidentally fed after midnight, thereby transforming into “gremlins” (problems). They wreak havoc on the town, causing death, disaster, and destruction – perhaps serving as a warning of the dangers of mass consumerism, or of not following instructions.

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9. Pinocchio

Pinocchio was originally written by Carlo Lorenzini (known by his pen name, Carlo Collodi) between 1881 and 1883 in Italy. An active Freemason, Lorenzini encoded metaphysical and esoteric concepts in the story of the wooden marionette who turns into a real boy.

The Disney film took artistic and creative license by adapting the original story to something more suitable to their tastes, however the fundamental elements and moral still remain. We find the movie beginning with Geppetto, a lonely woodcarver that desperately wishes for a son of his own. His house is filled with clocks, an homage to the illusion of time which has not served him well. To satiate his loneliness, he turns a piece of wood into a marionette with human-like features, and although the marionette brings him joy, he wishes in his heart of hearts that his creation could transform into a real child.

The irony of being the creator as the artist, unable to create his masterpiece (a son), has Gepetto wishing upon a star to turn Pinocchio into a “real boy,” or esoterically speaking, the illuminated man.

The “Blue Fairy” descends to earth and gives Pinocchio the gift of life and free will – but he is not exactly a “real boy.” His task is to prove himself to be brave, truthful, and unselfish – a similar theme to The Wizard of Oz’s notion of gnosis (self-knowledge) through courage, heart, self-reliance, and will.

Masonic teaching presents the process of illumination as the alchemical ideal of turning base metal into gold, or rough stone into smooth stone. In this case,  it is Pinocchio who is being transformed as he begins his initiation into higher consciousness (illumination) as the rough piece of wood, needing to experience the way of the world before becoming a real boy. He finds himself presented with a series of temptations of Earthly pleasures (money, fortune, fame), but with Jiminy Cricket acting as his conscience, he is guided to eventually find the right path, but only through experience, and experience alone.

The story finds Pinocchio being lured to “Pleasure Island,” a place where children eat, drink, smoke, fight, and destroy at will – where school and law no longer exist, in a seeming antithetical nod to the essential Masonic text, Albert Pike’s “Morals and Dogma.” In this part of the story Pinocchio turns into a donkey, which in esoteric terms is the personification of the stubborn animal locked in the material world, ignoring his true spiritual nature.

Eventually the climax occurs when Pinocchio realizes the error of his ways and returns home to reunite with Gepetto – but the house is empty, and Gepetto has been swallowed by a giant whale. This is, of course, a metaphorical nod to the story of Jonah and the Whale, which has its own occult significance. Manly P. Hall explains:

“When used as a symbol of evil, the fish represented the earth (man’s lower nature) and the tomb (the sepulcher of the Mysteries). Thus was Jonah three days in the belly of the ‘great fish,’ as Christ was three days in the tomb. Several early church fathers believed that the ‘whale’ which swallowed Jonah was the symbol of God the Father, who, when the hapless prophet was thrown overboard, accepted Jonah into His own nature until a place of safety was reached. The story of Jonah is really a legend of initiation into the Mysteries, and the ‘great fish’ represents the darkness of ignorance which engulfs man when he is thrown over the side of the ship (is born) into the sea (life).”

Pinocchio sacrifices himself by jumping into the belly of the beast (the whale), where he saves Gepetto, and emerges into the light. Thus proving his spiritual worth through the initiation phases of trial and error, forgoing temptation and sacrificing for love.

In the end, the Blue Fairy allows Gepetto’s wish to come true, as Pinocchio is granted the ability to become a real boy, and Jiminy Cricket receives a solid gold badge, a seeming indication that his role as Pinocchio’s conscience allowed his base consciousness to alchemically transform into gold (illumination).

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10. Dune

Herbert’s novel, adapted into a film by David Lynch, is a fantastical blend of Islamic mysticism and imagery that immediately brings to mind ancient Afghani Sufism. The the opium trade has long been a center of global chess moves, particularly with the British Empire’s control and use of opium and its Great Game espionage maneuvers with Russia. Herbert is clearly aware of this global alignment and includes these very human drives in his futuristic, anti-imperial novel. The novel immediately made me think of Gould and Fitzgerald’s famous Invisible History, which details the importance of Afghanistan in Middle Eastern power moves, not just due to its centrality for the drug trade, but also due to its crucial “mystical” significance.

The narrative’s focus on ecology is also a rebuke to modern scientism which presumptuously enacts the rape of nature and mankind with no concern for an ecosystem that is part of a natural process. All natural hierarchies are restored by Paul Muad’dib and only under this hieratic order is true freedom restored. Paul and the “free-men” represent the masculine order placed back in power under which health and a blossomed, terraformed Dune emerge from a wasteland. This is also why Paul undergoes the Shai-Hulud (Old Father Eternity) worm bile ritual, wherein he experiences a crossing of the abyss to enter that place where the Bene Gesserit Sisterhood “cannot go.” When Muad’dib returns from this death/resurrection ritual, he is apotheosized to bring and end to the rule of the female power and the unrighteous. It is also worth noting that the imperial power sees mankind as a “disease” that must be eradicated through population control. The Sisterhood evidences this, too, with their attempt to engineer the kwisatz haderach. The Harkonnen follow suit with young boy sex slaves, as well as the imperial power brainwashing noble house servants and assassins for programmed missions. Here Herbert hints at programs like MKULTRA and human trafficking that are very real evils in modernity, though they are given little mainstream press attention.

As we explore the esoteric meaning of the subliminal messages encoded within these classics, although seemingly stranger than fiction, the spiritual morals of each seem to carry the same ethos – know yourself, and you will know the world, know the world, and there you will find enlightenment. The art of film is a medium that can convey complex ideas on a deeper level that we are unaware of, yet it also brands fond memories into our hearts. It is only until we analyze these films that we find the exact reason for why they tug on our heart strings in the first place.

Special thanks to Jay Dyer of Jay’s Analysis for collaborating with us!

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America’s Largest Milk Producer Files For Bankruptcy – Cow’s Milk Is Inhumane & Unhealthy

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Image by Erich Westendarp from Pixabay

In Brief

  • The Facts:

    Dean foods, the largest milk producer in the United States has filed for bankruptcy.

  • Reflect On:

    Independent media and activists around the world do have the ability to make change, and this is one of many examples. The world is waking up, even in the face of massive censorship of information. We are more powerful than we know.

Dean Foods, the largest milk company in the United States has recently filed for bankruptcy. The reason? Because Americans, and people all of the world for that matter, are not drinking as much cow’s milk as they used to. Brands that seem to be growing and having success are the ones who are now offering dairy free options.  Oat milk, for example, saw U.S. sales rise 636% to more than $52 million over the past year, according to Nielsen data. Sales of cow’s milk dropped 2.4% in that same time frame.

Chief Executive Officer, Eric Beringause stated: “We continue to be impacted by a challenging operating environment marked by continuing declines in consumer milk consumption.” He’s right, the demand for cow’s milk has dropped nearly 50 percent since 1975.

So, why are people doing this? Well, it’s happening for a number of reasons. First of all, the industry is full of animal cruelty. Cow’s are forcefully impregnated so they can produce milk, and their babies are taken from them for beef so the milk can be drained from the cow so humans can drink it. This causes tremendous heartache. Cows are living in poor conditions where they constantly suffer both emotionally and physically. Furthermore, they can often be abused by workers, but the conditions they live in on factory farms is already seen as abusive to many.

Not only are we starting to become aware that our milk-drinking habit is one of the most cruel industries that exists on Earth,  we are realizing waking up to the fact that 80 percent of the Amazon rainforest destruction is the result of grazing animals for meat and dairy production. It’s one of the main sources of environmental degradation and pollution on our planet. It is destroying our Earth, and the waste is polluting our environment and waterways at an alarming rate. 90 percent of soy used, which is also creating massive amounts of deforestation, is used for animal feed, not humans. So, animal product consumption is clearly the biggest factor when it comes to deforestation and environmental degradation, yet there doesn’t seem to be enough emphasis put on it like there is for C02. Why?

When it comes to the health aspects, I remember being in shock when I came to the realization that we were the only animal on the planet who drank the milk of another animal. Furthermore, we are the only species on the planet that drinks milk after weaning.

There are multiple studies showing that drinking milk from a cow leads to an increased mortality rate and actually makes bones more prone to fracturing, not less. One example would be this giant study from researchers at Uppsala University in Sweden. How ironic is this given the fact that milk has always been marketed to humans as necessary from strong bone health?  Calcium is available in high quantities in a number of planet, how come we weren’t marketed with that?

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One thing milk protein does is trigger metabolic acidosis. This happens when the body produces too much acid and becomes very acidic, which can be caused by multiple things, including the absorption of casein found in animal protein. Casein makes up almost 90 percent of the protein in a cow’s milk. When the body experiences this type of acidosis, it actually forces the body to compensate by leaching calcium from the bones to help neutralize the increased acidity. This became known to me through the work of Dr. Colin Campbell, an American biochemist who specializes in the effect of nutrition on long term health. He is the Jacob Gould Schurman Professor Emeritus of Nutritional Biochemistry at Cornell University. Scholars like Campbell are vital to the world, because they are among the few who actually examine and study nutrition and health, something that our modern day medical industry completely ignores. You can watch a video of him explaining, here.

Dr. Campbell also discovered that animal protein (casein) can accelerate and “turn on” cancer, while plant based protein has the opposite effect. You can read more about that and which him explain in this article.

If we look at all other animals who don’t consume the milk of another animal or after weaning, it is because they do not have the enzymes to break down the sugar found in milk. We are no different, and this explains why in some ethnic populations around the world, lactose intolerance is present in 90 percent of the population. A staggering 70 percent of the world’s population has some degree of lactose intolerance.

Humans actually never had this enzyme, and to digest the sugar in cow’s milk, we had to develop the LTC gene, which was acquired by mutation. This is the lactase gene, which allows us to process lactose as adults. Clearly, we are not doing what is natural and in accordance with our bodies. I first came across this information from Katherine S. Pollard, a PhD at the University of California, San Francisco, in this lecture.

That being said, some people might have evolved and developed on cows milk just fine, which is why this information may not apply to everybody but overall, it definitely appears we are doing something unnatural.

More doctors are waking up, The Physicians Committee for Responsible Medicine (PCRM) recently submitted a citizen petition with the Food and Drug Administration (FDA) to change labeling on cheese to include a cancer warning.

The petition states:

High-fat dairy products, such as cheese, are associated with an increased risk for breast cancer. Components in dairy such as insulin-like growth factor (IGF-1) and other growth hormones may be among the reasons for the increased risk for cancer.

To ensure that Americans understand the potential significant risks, and resulting long-term costs, of consuming dairy cheese products, the FDA should ensure that the notice above is prominently placed on product packaging and labeling for all dairy cheese products.

The list goes on and on, what’s presented in this article is simply a tidbit with regards to why big milk is going out of business. People are waking up.

When it comes to health and cruelty, it’s not just dairy, it’s also meat-eating as well. It’s very in-humane, not all that healthy, and is also destroying our planet.

You can read this article for more information about that: Another Study Suggests That Human Beings Are Not Designed To Eat Meat

The Takeaway

It’s great to see the dairy industry forcing to transition, although there is still a long way to go, it’s quite clear through the efforts of various forms of activism around the world that more people are becoming more empathetic, compassionate, and caring about our treatment of animals and the planet. These are qualities our world certainly needs more of. In conjunction with  the massive amount of animal cruelty that’s being exposed, awareness with regards to the health and environmental consequences of consuming dairy are also skyrocketing.

We are more powerful than we know, and at any time, if we come together, we can change the game big time.

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One of Stanford’s Most Successful Remote Viewers Shares What He ‘Saw’ About The Origins of Humanity

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In Brief

  • The Facts:

    Joseph Mcmoneagle, one of the most successful Army-trained remote viewers, peered into the past to look into the possible origins of human history. He saw that we were created by intelligent beings in what he called a 'laboratory.'

  • Reflect On:

    Why is the mainstream story of human history still limited to Darwin's Theory of Evolution? Why have so many discoveries, like giants, and life on other planets, been completely concealed and brushed off as a conspiracy theory?

The true origins of human history remain a mystery, but that’s not what mainstream academia would have us believe. Since Darwin, human evolution and ‘the survival of the fittest’ has been pushed on the population as some sort of scientific truth, despite the fact that it remains a theory with multiple loopholes and ‘missing links.’ If you question it, in some circumstances, you are almost considered a nut.

This continues to happen in many different fields of knowledge; when you question beliefs that have been ingrained for so long you get a harsh response, and in some cases, you’re liable to be fined, put in jail or at the very least you receive tremendous amounts of hate and censorship.  What we don’t hear about is the fact that there are several hundred scientists, if not several thousand, who have spoken up against the scientific validity of the theory of evolution.  I recently wrote an article about more than 500 scientists coming together to reject Darwin’s theory of evolution and explain why it’s not really valid at all.

Our DNA Originated Somewhere Else

Even one of the founding fathers of DNA, Francis Crick, believed that human DNA must have originated from somewhere else in the galaxy, whereby “organisms were deliberately transmitted to earth by intelligent beings on another planet.” You can read more about that here. I also recently wrote about a paper that was published by 33 scientists in the Progress in Biophysics and Molecular Biology Journal suggesting that the flourishing life during the Cambrian era (Cambrian Explosion) originated from the stars.

“With the rapidly increasing number of exoplanets that have been discovered in the habitable zones of long-lived red dwarf stars (Gillon et al., 2016), the prospects for genetic exchanges between life-bearing Earth-like planets cannot be ignored. ” (The study)

There is a great little blurb from Cosmos Magazine, one of the few outlets who is talking about the study.

Serious inquiry into the origins of human history are not encouraged in the mainstream. Yet as we dig a little on what’s being done, there is a lot to find out, with new theories and discoveries that seem to be popping up every single year.  Modern day education is hardly keeping up with this, and in fact continues to promulgate old theories and notions that have long been disproven. As a result, nobody beyond ardent self-motivated researchers are learning about new developments or have any knowledge of these viewpoints.

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Opening Our Minds

The suppression of the discoveries of giant humanoid skeletons falls directly into this category, though the secrecy that wraps up the Smithsonian is a topic for another article. Suffice it to say that successful cover-ups of information are possible in part due to the phenomenon of ‘cognitive dissonance’, which speaks to the extreme discomfort that a piece of information that disrupts the worldview you grew up with can have on you. Many of us have and do experience this, including myself. In today’s day and age, it’s important to practice overcoming the discomfort to keep an open mind.

Consider entertaining new ideas without necessarily accepting them, just give them a chance to swirl in your mind a bit. With new information constantly emerging at a rapid pace in all fields, an open mind is what serves us best. If we stay closed and refuse to even look at or acknowledge evidence that contradicts what we believe, we will never advance towards actual truth, and simply be caught up in an agnostic state while never really getting to the bottom of the questions that are naturally on our mind.

The StarGate Program

The StarGate program was co-founded by Russell Targ (watch his banned TED talk about ESP here), Hal Puthoff, who is now a member of the ‘To The Stars Academy’ with Tom Delonge, and other notable names who have worked on Deep Black Budget programs within the U.S. government. They are currently spearheading an effort to let the American public know that UFOs are real and that there is sufficient evidence to suggest that, as Louis Elizondo says, “we are not alone, whatever that means.”

The StarGate program investigated parapsychological phenomenon like remote viewing, telepathy, telekinesis, and clairvoyance. The program yielded high statistically significant results and was used multiple times for intelligence gathering purposes. A lot of interesting information came out of the literature that was declassified in 1995 after the program ran for more than two decades.

It was a complete mystery why the program was shut down: remote viewing, for example, which is the ability to describe the physical characteristics at a given location irrespective of distance, was found to be repeatable, even more than findings in the hard sciences, with a success rate of over 80 percent. Remote viewing was how the rings around Jupiter were actually discovered by Ingo Swann before NASA was able to measure them. You can read more about that here.

To summarize, over the years, the back-and-forth criticism of protocols, refinement of methods and successful replication of this type of remote viewing in independent laboratories has yielded considerable scientific evidence for the reality of the [remote viewing] phenomenon. Adding to the strength of these results was the discovery that a growing number of individuals could be found to demonstrate high-quality remote viewing, often to their own surprise. . . . The development of this capability at SRI has evolved to the point where visiting CIA personnel with no previous exposure to such concepts have performed well under controlled laboratory conditions.” (source)

The Breadth Of Remote Viewing

There are examples in the literature, from remote viewers looking at classified Russian technology during the cold-war era, locating a lost spy plane in Africa and the prediction of future events. Yes, along with remote viewing comes the ability to view into the past, and view into the future. Obviously, this gets tricky, especially if we look at quantum physics, which works in tandem with parapsychology. In quantum physics, experiments have also shown how what happened in the past can change the future, and what happens in the future can change the past, on a quantum scale. You can read more about that here.

There were multiple people working within the Remote Viewing Program, which was conducted at Stanford Research Institute (SRI) in conjunction with multiple intelligence agencies, and one of them was Joseph Mcmoneagle. Many of these people, after decades in the program, continued on with their research and experimentation long after the program was declassified. Joseph was one of the most successful Army-trained remote viewers, and one of the original members of project Stargate. He was actually awarded the Legion of Merit for “producing crucial and vital intelligence unavailable from any other source” to the intelligence community.

The Origins Of Humanity

In 1983, McMoneagle worked with Robert A. Monroe, founder of the Monroe Institute in Faber, Virginia, which provided basic out-of-body orientation for many of the military remote viewers. There, he conducted a session seeking to discover the origin of humanity. As the late great author and researcher Jim Marrs points out in his best selling book Our Occulted History points out:

During the 129-minute session, he described a shoreline on what appeared to him to be a primitive Earth. He later estimated a time of about thirty million to fifty million years after the time of the dinosaurs. Cavorting on this shoreline was a large family of protohumans-hairy animals about four feet in height, walking upright and possessing eyes exhibiting a spark of intelligence despite a somewhat smaller cranial capacity. Two things surprised McMoneagle in this session. These creatures appeared to be aware of his psychic presence, and they did not originate at that location.

McMoneagle described his experience in his 1998 book, The Ultimate Time Machine:

This particular species of animal is put…specifically in that barrier place…called the meeting of the land and the sea…I also get the impression that they’re…ah…they were put there. They mysteriously appeared. They are not descended from an earlier species, they were put there (by a) seed ship…no, that’s not right. Keep wanting to say ship, but it’s not a ship. I keep seeing a…myself…I keep seeing…oh, hell, for lack of a better word, let’s call it a laboratory, where they are actually inventing these creatures. They are actually constructing animals from genes. Why would they be doing that? Can we do this yet…here and now? Like cutting up genes and then pasting them back together. You know, sort of like splicing plants…or grafting them, one to another…Interesting, it’s like they are building eggs by injecting stuff into them with a mixture of DNA or gene parts of pieces.

He described these creatures as delicate-looking aquiline-featured humanoids, unclothed, in possession of a prehensile tail and large “doe-like” eyes. They seemed to be using some sort of light that McMoneagle had a hard time describing, but eventually described it as a “grow light.”

Marrs got the impression that it was like someone tending to a garden, and planting seeds, but “there isn’t any concern about the seeds after they are planted…It’s simply like…well…put these seeds here and on to better and bigger business. No concern about backtracking and checking on the condition of the seeds. They can live or die, survive or perish.” The session ended with him moving closer in time and perceiving these beings growing in size and ability, eventually becoming herding humans.

The surveillance of and interference with humanity is documented in the lore of almost all civilizations that have roamed the planet. Although some have called this mere ‘interpretation,’ it reminds me of people referring to the confirmation of spiritual and metaphysical realms as a result of quantum physics. It is simply labelled as an interpretation due to the fact that it upsets so many belief systems and long-held preconceived ideas.

The Takeaway

The story of human history has a lot of holes. From the UFO extraterrestrial phenomena to the discovery of strange skeletal remains, to the rejection of Darwinism all the way to the existence of intelligence ancient civilizations like Atlantis, and others that thrived possibly millions of years ago, we are like, as author Graham Hancock coined, a species with amnesia. But perhaps we are starting to remember. Perhaps our only two explanations are incorrect, or perhaps they’re both correct, combined with other factors. The point is, what we’ve been told is not true, and the recognition of that fact will lead us on the path towards true discovery, and away from the concealment and manipulation of information and truth.

I’m not saying this is how humans are created, perhaps it is just some sort of glimpse into something much bigger that took place billions of years ago?

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Thousands Gather To Mark The 33rd Anniversary of the National Childhood Vaccine Injury Act

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Government’s gift to Pharma of liability-free vaccines puts children’s health at risk states Children’s Health Defense (CHD) Chairman, Robert F. Kennedy, Jr.

Washington, DC – Thousands of advocates for children’s health will gather Thursday at the Vaccine Injury Epidemic (VIE) Event on the National Mall to mark the 33rd anniversary of National Childhood Vaccine Injury Act (NCVIA). The rally on Nov. 14th will spotlight the devastating impact NCVIA has had upon the state of children’s health. While children continue to be injured by vaccines daily, vaccine makers cannot be held accountable, thereby eliminating incentive for vaccine safety.

In his remarks, RFK, Jr. will address the ramifications of NCVIA and honor those whose lives have been impacted by vaccine injury and death. “It’s time to call out Congress, the CDC, and drug companies for allowing industry profits to trump children’s health,” said Kennedy. “There is no crisis more urgent than the epidemics of chronic health conditions among our nation’s children.”

Following NCVIA’s passage creating the National Vaccine Injury Compensation Program (NVICP), the childhood vaccine market sparked a gold rush for Pharma as more vaccines for routine childhood illnesses were developed. Coterminous with the burgeoning vaccine schedule, chronic health conditions in children rose from 12% to 54%. As vaccine industry profits grew to $50 billion annually, so did diagnoses of asthmaautismADHDallergiesanxietydepressiondiabetesobsessive-compulsive disorder and auto-immune diseases.  Here are the facts:

  • An HHS-funded study found only 1% of vaccine injuries are reported.
  • Despite NVICP’s high burden of proof and two out of three claims dismissed, over $4.2 billion has been paid for claims of vaccine injury or death.
  • The vaccine-injured find NVICP to be a years-long, litigious program with no jury, discovery and precedent. While medical bills mount, the injured are up against DOJ lawyers and HHS “Special Masters” that act as judges.
  • The Department of Justice and the NVICP are accused of fraud and obstruction of justice in the Autism Omnibus Proceeding.
  • The Institute of Medicine reports that the vaccine schedule as recommended has never been studied for long-term health effects despite independent research suggesting that unvaccinated children are healthier.
  • Modern medicine acknowledges that not everyone responds the same to vaccination and the “one size fits all” vaccine policy is not science based.

Children’s Health Defense’s created these six steps to vaccine safety. RFK, Jr. interviews are available upon request.

Sign up for free news and updates from Robert F. Kennedy, Jr. and the Children’s Health Defense. CHD is planning many strategies, including legal, in an effort to defend the health of our children and obtain justice for those already injured. Your support is essential to CHD’s successful mission.

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